Wag the Dog (1997) – An Exercise in Meta-Propaganda

Wag the Dog film poster.

Wag the Dog film poster.

A Brilliant Revelation of the Method

By: Jay

Wag the Dog (1997) is one of those 90s movies you somehow missed.  I don’t know how I did, but I recently  came across it looking for something along the lines of propaganda and psychological warfare in film, and boy was I in for a treat.  Wag the Dog is dark satire and is far more than I expected it to be.  The film is about private intelligence consultants/marketing experts creating a fake war as a distraction during a presidential candidate’s re-election that is racked by scandal.

Robert deNiro plays Conrad Brean, “Mr. Fix It,” the intelligence/media manipulator hired to create a big distraction that ends up being a fake war with “Albanian fundamentalist terrorists.”  There are several people this might be, and it could also be a composite, but given his hat and appearance, E. Howard Hunt immediately comes to mind, though the timing is off.

While most analyses of the film would focus on the film’s narrative itself as an expose, which is true as far as it goes, I”d like to take a step back and point out that it is more than that.  It’s an example of what I’d call meta-propaganda, in the sense that metanarrative in the study of Shakespeare involves a story about the process of writing a story, so with Wag the Dog we have an example of meta-propaganda.  The film is itself propaganda about the process of making propaganda.  This is the secret power and effect of predictive programming: hoodwinking a unknowing mass populace into accepting a manipulation of archetypes and emotional images that produce a desired effect.  The chief medium of this craftworking is film and news. Read more of this post

Contagion (2011) – Analysis

Touch ye not, taste ye not, the defiled masses.

By: Jay

I saw Contagion with a theater full of baby-boomers and senior citizens who frequently commented throughout how realistic and scary Contagion was.  I had to snicker at this.  Contagion is like a remake of Outbreak, and Outbreak is awful.  Outbreak is worse than the worst episode of the A-Team, minus the captivating dialogue.  Contagion isn’t much better, aside from the good acting with the all-star lineup.  The entire film is like watching a public service announcement for government vaccines: something they would make you watch in high school.  It’s total fear propaganda – the only thing contagious is the fear spread by the film.  I’m reminded of the “H1N1″ scare of a few years back, where the system told us we were all dead.  And what happened? Nothing. Only the weakest minded, most  oblivious fools still thinks the system loves the public and has its best interest at heart.

Connections are made in the film to SARS, which was an engineered bio release, and as I watched, I immediately thought of V for Vendetta, where a planned bio-release kills thousands of Catholics. Recently, the BBC did a show called Survivors that was well done along the same lines, where a pharmaceutical corporation allows a bio-release to get out, killing 95% of the population.   In fact, the BBC pops up in the film, as well as CNN’s Sanjay Gupta.  This should tell you who’s on the inside in terms of mass media.  I’m reminded as well of The Stand, The Passage, and a host of other Zombie films.  We seem to have an apocalyptic fascination in Amerika.  In fact, the “virus” in Contagion is a pig-bat-bird mutation that kills within 24 hours.   Read more of this post

Enemy of the State (1998): Pre-9/11 Reference

While watching the 1998 film, ”Enemy of the State,” I noticed a curious reference to 9/11. A few others online have noticed this as well. As we showed recently, pre-9/11 film references are common, and show more than mere coincidence, especially in the cases of the references in the Simpsons, The Lone Gunmen and the Iron Man cartoon.  This one is peculiar, in that it picks out John Voight’s character, ”Reynolds” in the film, who is the head of the NSA and is involved in numerous illegal activities such as wiretapping, spying and tracking.  The film has Will Smith and Gene Hackman on the run from big brother, and is replete with references to the control grid, 1984 and Brave New World. It also thows in a little hint at 9/11 for good measure.

Voight's character, "Reynolds," a top government official, orgainzes covert operations. Note the 9/11 reference.

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