The Occult History of Punk Music – John Adams on JaysAnalysis (Half)

This is the free half of a full talk which can be obtained at JaysAnalysis by subscribing at the PayPal links below.  Musician and researcher John Adams of The Afternoon Commute joins me to divulge new details in relation to his ongoing series with researcher Nino on the secret history of punk music. Arising from the psychedelic genre and the 60s counter-culture (so-called) movements, punk became an iconic sub-genre that would eventually have a tremendous impact on “youth culture” through the 70s, 80s, 90s, and into today. The real question, however, is whether there is a deeper occult agenda to punk music, as well as a social engineering aspect to this “scene.” We explore these questions, as well as topics such as:

Henry Rollins, Riot Girl, feminism, GG Allin, Iggy Pop, situationism, Fugazi, The Sex Pistols and “spectacle,” performance art, deep state connections, Genesis P-Orridge and transgender agendas, the Stone Roses, Lou Reed and Blavatsky, the rise of the grunge scene and Cobain, The KLF and the rise of electronica, Discordianism, techno and rave culture, and the power of pop culture to mind control mass populations.

Their full series can be found here

Stream or download the free half here

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7 thoughts on “The Occult History of Punk Music – John Adams on JaysAnalysis (Half)

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  3. I’ve been following John and Nino’s podcasts on punk all the way through. They’re pretty thorough. After reading Dave McGowan’s work on Laurel Canyon I had to re-evaluate my entire youth, and early adult years. I just loved all of that stuff from the 60’s right up to the rave and drum n bass scenes (although I’m only 46). I always credited these bands and scenes with being truely anti establishment, and now I know they were all just establishment created culture along with all the rest of it. It’s amazing the connections these people had/have, and how quickly they easily slotted into establishment culture. Johnny Rotten ended up doing reality TV/ Commercials for butter/ and wild life shows.

  4. Many of the original punks hated psychedelia, I am not buying that thought. It’s a given that there were several scenes, England and America, who had of course, stars, but many bands were DIY. I am not buying the thesis that there’s some kind of cultural push, or manufacturing the scene. It’s a case of record companies jumping on the current bandwagon. The occult connection is obvious, such as Genesis P. Orridge, but most of that comes from personal studies that the musicians did.

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