Casino Royale (Novel) – Analysis

1960 copy of Casino Royale I Came Across.

By: Jay

Casino Royale (1953) is the first of Ian Fleming’s Bond novels, and since I’ve decided to write my master’s thesis on this classic series of espionage novels, blogging about the series would be a help to my own writing process.  I’ll be dealing with the semiotic and propaganda effects of real events being fictionalized, and then the resulting impact and purpose of the fiction as it passes into mass media consumption.  As Fleming himself noted, “everything I write has precedent in truth.”

This is crucial to keep in mind as one works through the novels and films, as it becomes clearer and clearer that Fleming, himself a top British intelligence agent, gradually reveals the means and methods of control and manipulation by the top of the pyramid.  Bond himself is a cog in this machine, situated as the symbol of the loyal, western, capitalist hemisphere, battling what he discovers to be the evil Soviet anti-spy agency, SMERSH.  SMERSH is a kind of Soviet “Secret Team” that proclaims “death to all spies.”

In the beginning, however, Bond is not after SMERSH, but a wealthy, disfigured rogue who stuck out on his own and created a “fifth column” from SMERSH, named LeChiffre.  LeChiffre translates as “the cypher,” letting us know more is at work here.  LeChiffre, according to Bond writer Ian MacIntyre, was based on British Satanist/occultist Aleister Crowley.

In fact, Ian Fleming, it has recently been claimed by researcher Anthony Masters, was responsible for crafting the plot to lure Rudolph Hess to Scotland based on a bogus astrological chart that tickled Hess’ fancy, created by Crowley. The plot worked, apparently, and Hess parachuted into Scotland and was captured.  LeChiffre, “the cypher,” has curious features, and like many Bond villains a strange sexual appetite and fixation, in the same vein as Crowley.

Soon into the novel, Bond meets his first “Bond girl,” Vesper Lynd, who will double-cross him and be exposed as a SMERSH agent working under duress.  What’s interesting is that a team of Bulgarian communists attempts to assassinate Bond with an explosive device soon after Bond arrives in the fictional Royale-Les-Eaux in Northern France.  The explosion fails in its design, however, and a cover story is created, blaming in on leftist, communistic terror.  Read more of this post

The Magus (Novel) – Analysis

The Baphomet image is shown.

By: Jay

The Magus by John Fowles is a peculiar novel. It is not like anything I’d read previously – a kind of mix between the TV show Lost and the Michael Douglass movie, The Game, with a bit of Eyes Wide Shut thrown in for good measure: Imagine Aristotle Onassis with a penchant for psychological warfare.  Its protagonist is a young Oxford graduate named Nicholas Urfe who, having become bored of philandering and partying, undergoes an existential crisis and embarks for a teaching position on the Greek island of Phraxos.  Before leaving England, however, Nicholas breaks the heart of a beautiful Australian girl named Alison, as he quickly adopts an atheistic, nihilist worldview.

As he arrives, he finds that the island is not exactly what it appears to be. Nicholas wanders into the company of a wealthy Greek billionaire Named Maurice Conchis who seems to toy with Nicholas at every turn, befriending him, yet in a distant, disingenuous way.  Nicholas begins to experience strange events that even make him question his own anti-supernatual presuppositions.  He sees what he thinks are Greek gods, as well as playlets that seem to match up to the Marquis de Sade.  Nicholas realizes that these masques become increasingly real, encompassing his entire existence on the island.  Eventually, having partaken of a hallucinogenic drug, and falling in love with one of a pair of twins that appears to be in the employ of Maurice, Nicholas experiences another kind of breakdown, resulting in an initiation of sorts similar to the process one sees in Eyes Wide Shut, as I argued.

The novel is thus not a story of mere intrigue, but of induction into the mysteries.  However, this novel presents the mysteries in a different fashion.  In Fowles’ mind, the initiation is not one wherein Nicholas’ world status changes, adjoining him to the elite, but rather operates as a kind of grand “fuck you,” where Nicholas is forced to come to grips with the fact that there is an entire strata of individuals for whom generations of enormous wealth has occasioned a godlike status on earth.  As such, in Flowles’ construal, the world becomes a kind of grand, global masque and stage.  In fact, the novel is quite explicit that the controllers are the Illuminati.     Read more of this post

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