(Half) Esoteric Hollywood: Weird Stuff – Culture Creation & Mind Control

This is the first free half of the full interview with author Jamie Hanshaw which can be obtained at JaysAnalysis by subscribing at the paypal link.  Jamie’s books can be obtained here.
“Weird Stuff is an occult conspiracy encyclopedia in an easy-to-read fully illustrated magazine format.
Understand the purpose of Lady Gaga performing a blood sacrifice on American Idol and Madonna’s use of Kabbalah in Super Bowl High Profile Rituals. Learn the truth about Walt Disney Co. and their connection with the military industrial complex.
 Weird Stuff goes where your minister will not dare! Weird Stuff is more than a book. It is a tool for you to help rehabilitate the minds of friends.”
“From the Gates of Babylon to the Kodak Center, what does Hollywood have in common with the creation of civilization? Where there is royalty there are subjects and slaves. Learn how pop culture is a magickal spell leading humanity down the path of social Darwinian stratification and class warfare. See how the military uses the entertainment industry for propaganda and covert operations. Are celebrities victims of mind control? Who is the Scarlet Woman and how many times can she be incarnated at one awards ceremony? Learn about the revelation of the occult method, the Super Bowl-Grammy Ritual Spectacular, and much more!”
Subscribe to JaysAnalysis for more by clicking on this image!

Subscribe to JaysAnalysis for more by clicking on this image!

Order Hollywood Mind Control by Jamie Hanshaw here!

Order Hollywood Mind Control by Jamie Hanshaw here!

Purchase my book, Esoteric Hollywood by clicking the image!

Purchase my book, Esoteric Hollywood by clicking the image!

 

4 Comments on (Half) Esoteric Hollywood: Weird Stuff – Culture Creation & Mind Control

  1. arthur the author // March 25, 2016 at 11:47 am // Reply

    “Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows to another. In the history of art, arts patronage refers to the support that kings, popes and the wealthy have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a regular customer, and the guardianship of saints. The word “patron” derives from the Latin: ‘patronus’ (“patron”), one who gives benefits to his clients (see Patronage in ancient Rome).

    In some countries the term is used to describe political patronage, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the Prime Minister to appoint senators and the heads of a number of commissions and agencies; in many cases, these appointments go to people who have supported the political party of the Prime Minister. As well, the term may refer to a type of corruption or favoritism in which a party in power rewards groups, families, ethnicities for their electoral support using illegal gifts or fraudulently awarded appointments or government contracts.”

    https://en.wikipedia.org/wiki/Patronage

    Nothing ever changes.

    “The politics of theater-in-the-round were explored most deliberately by RG Gregory. In his view the lit space of a proscenium arch is analogous to the seat of power; the audience adopts the role of passive receivers. In traditional theatre design, maximum care is taken with sight lines in order to ensure that the actor can engage every member of the audience at the same time.

    However, once removed from the picture frame of the arch, the actors are compelled to turn their back on some members of the audience and so necessarily lose exclusive command of the acting space. All members of the audience can see the actor, but the actor can no longer see all of them. At this point, in order for the play to function, the audience themselves must be allowed to become key conductors of the meaning of the performance.

    Some, like the writer Mick Fealty, have stressed a close analogy between Gregory’s description of the rudimentary dynamics of theater-in-the-round with the network effect of Internet-based communication in comparison to traditional broadcast and marketing channels.”

    https://en.wikipedia.org/wiki/Theatre_in_the_round

    “In 1917 the government of the United States took charge of the patents owned by the major companies involved in radio manufacture in the United States to devote radio technology to the war effort. All production of radio equipment was allocated to the U.S. Army, U.S. Navy, U.S. Marine Corps, and the U.S. Coast Guard. The War Department and the Navy Department sought to maintain a federal monopoly of all uses of radio technology. The wartime takeover of all radio systems ended late in 1918, when the U.S. Congress failed to pass a bill which would have extended this monopoly. The war ended in November of that year.”

    “The incorporation of the assets of Marconi Wireless Telegraph Company of America (including David Sarnoff[7]), the Pan-American Telegraph Company, and those already controlled by the United States Navy led to a new publicly held company formed by General Electric (which owned a controlling interest) on October 17, 1919.[8] The following cooperation among RCA, General Electric, the United Fruit Company, the Westinghouse Electric Corporation, and American Telephone & Telegraph (AT&T) brought about innovations in high-power radio technology, and also the founding of the National Broadcasting Company (NBC) in the US. The Army and the Navy granted RCA the former American Marconi radio terminals that had been confiscated during the War. Admiral Bullard received a seat on the Board of Directors of RCA for his efforts in establishing RCA. The result was federally-created monopolies in radio for GE and the Westinghouse Corporation and in telephone systems for the American Telephone & Telegraph Company.

    The argument by the Department of War and the Department of the Navy that the usable radio frequencies were limited, and hence needed to be appropriated for use before other countries, such as the United Kingdom, France, Germany, and Canada monopolized them, collapsed in the mid-1920s following the discovery of the practicality of the use of the shortwave radio band (3.0 MHz through 30.0 MHz) for very long-range radio communications.

    The first chief executive officer of RCA was Owen D. Young; David Sarnoff became its general manager. RCA’s incorporation papers required that a majority of its stock be held by American citizens. RCA agreed to market the radio equipment manufactured by GE and Westinghouse, and in follow-on agreements, RCA also acquired the radio patents that had been held by Westinghouse and the United Fruit Company. As the years went on, RCA either took over, or produced for itself, a large number of patents, including that of the superheterodyne receiver invented by Edwin Armstrong.

    Over the years, RCA continued to operate international telecommunications services, under its subsidiary RCA Communications, Inc., and later the RCA Global Communications Company.”

    https://en.wikipedia.org/wiki/RCA

  2. OTO instruction on assumption of God-forms. The student, seated in the “God” position, or in the characteristic attitude of the God desired, should imagine His image as coinciding with his own body, or as enveloping it. This must be practised until mastery of the image is attained, and an identity with it and with the God experienced. http://www.sacred-texts.com/oto/libero.htm. In the movie Red Dragon the ritual murderer Dollerhyde assumes the God form of William Blakes Great Red Dragon. https://en.m.wikipedia.org/wiki/The_Great_Red_Dragon_Paintings Note painting number 2 in the series The Woman Clothed in Sun and painting number 3 The Beast is 666. Also note Ben Affleck giant pheonix back tattoo http://www.dailymail.co.uk/tvshowbiz/article-3500754/Ben-Affleck-reveals-giant-tattoo-Phoenix-fake-movie.html

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