Knowledge Without Wisdom: Phaethon and Technocracy

Gustave Moreau's Phaethon.

Gustave Moreau’s Phaethon.

By: Jay

In our emergent technocracy we are submerged in a sea of knowledge.  Modern wonders reach their apex in the readily-available stores of knowledge at anyone’s fingertips.  Given this seemingly magical commodity was heretofore unknown to vast swaths of now dead humanity, one would think man would jump at the opportunity to educate himself on any and every topic.  Yet the reality is quite the contrary, as such a notion of aspiring, latent human potential had its origin in the universalized doctrine of “human reason” bequeathed to us from the Enlightenment.   The vast online Alexandrian databases are only perused by a few, with the majority of humanity preferring to opt for a wasted life of the meaningless and mundane.  In a strange twist that must baffle the modern progressive, humanity has devolved with the advent of their imagined tech utopia, not risen to the heights of transcendence.  The question arises – what is the purpose of never ending streams of knowledge, without wisdom?

Before considering that question, we have to ask how we arrived at this point.  For several hundred years, Western man in particular has been firmly convinced of the dogma that humans are blank slates awaiting only the right imprinting, the perfected external educational stimulant, and when the hallowed secular social order finally gets it just right, man would achieve his Promethean triumph.  When the coming technocracy appears, universal education and global democratic republics full of enlightened, informed citizenry will lead the way into the great ascent to godhood.   With a rising erection, the Enlightenment evangelists even hoped a fully global government would be conjured up, like some benevolent republican idealistic version of the Incarnation out of the Kantian noumena.  Instead, it becomes more apparent each day that these ideologues were either duped or consciously evil.   The presuppositions of existing modernity and its structures of power are still operating as if the Enlightenment “truths” are axiomatic givens – enshrined discoveries of the heroes of science that are no longer in question, as the verdict of reason and history are fully and ever vindicated.  The hard truth is that the Enlightenment ideologues were not only fundamentally wrong, but they were funded by the banking cartel for the purpose of social disorder and reorganization.  The dark lords of cash and subversive secret societies atop the idiot demagogues and salesmen were quite cognizant of the stupidity of such notions of Enlightenment tabula rasa anthropology, nevertheless, the endless stream of Dantons won out and even still never go away.  All the while, the money power laughs a hearty satanic cackle as the centuries pass by.

And so here we a couple hundred years after 1789 and 1776 and what do we see?  We see the intelligenstia operating as if physics and empiricism are actually explanatory “grand narratives.”  In total hypocrisy, labeling religion a fictitious “grand narrative” that only existed because it had explanatory power and satiated human fears, these intellectually dishonest liars erected their own alternative narrative that daily assaults me, and which I gleefully dissect on a daily basis: The new Gospel of human ascent through “science.”  One thinks here of August Comte’s patterned view of history where man passes from gradual stages of enlightenment, from primitive superstition and paganism, to rational monotheism, to philosophy and metaphysics, to physics and “social science.”  Although nothing could be further from the truth as regards the actual working of science and the actual structures of human social order and history, this mythology is still modernity’s Heilsgeschichte. 

For Jurgen Habermas, in his Theory and Practice,  the Frankfurt School becomes the praxis for the dark side strategy, whose own work is a manifestation of the angst of grappling with the course of the never ending “revolution,” from 1776/1789 onwards, looking into the future for the social engineers to fix man through his needed destruction.  I cite Habermas because he is a major Marxist Frankfurt School thinker who links the destruction of the old world to the French and American revolutionaries.  Habermas and the rest of his ilk like Horkheimer and Adorno, who worked with Western oligarchs and British establishment to destroy Western social order, export their weaponized disintegration to the rest of the globe.  They are significant for demonstrating that evil is not merely an organic, chaotic force that just occurs.  On the contrary, evil is very much concentrated, organzied and cunning in its tactics.  The key point here is that this technocratic rewriting is a strategic plan for total destruction that had to first be preceded by centuries of revolution and disintegration, prior to what Bertrand Russell and Aldous Huxley called “the final revolution,” intending by this the great revolution against man himself.  It is organized, structured, full spectrum subversion, inversion and dominance.

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Interview 2 w/Mark Hackard: Geopolitics and The Faustian Bargain

Check out Mark's work at SouloftheEast.org

Check out Mark’s work at SouloftheEast.org

In this latest installment of JaysAnalysis interviews, Russia Specialist Mark Hackard returns for part deux where we discuss Ukraine, the downed Malaysian Plane fiasco, false flags, Zbigniew Brzezinski and Eurasia, ideologies and traditionalism, theology, metaphysics and redemptive history, satanic inversion and its relation to alchemical processing and materialism, controlled chaos and destabilization, and a host of other issues related to deep politics and covert agendas.

 

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BBC Sherlock: Malaysian Airlines False Flag Scripting

Season 2, Episode 1, "A Scandal in Belgravia," in 2012: Mycroft tells Sherlock Flight 007 was a false flag with already dead bodies.

Season 2, Episode 1, “A Scandal in Belgravia,” in 2012: Mycroft tells Sherlock Flight 007 was a false flag with already dead bodies.

Like Many 9/11 Examples, the Scripting of the Malaysian Plane Fiasco Matches the Plot of BBC’s Sherlock

By: Jay

Our latest media theatrical blitz is the Hollywood-esque sequel to last month’s suspicious and likely scripted airplane disaster, the mystical Malaysian Plane fiasco.  News junkies and analysts will recall the recent “loss” of Malaysian Airlines Flight 370 which sparked a media furor of high ratings, speculation, pundit nonsense and even the enlistment of Courtney Love’s noteworthy, famed sleuthing abilities.  In a rare anomaly, Love was  in this case, unable to solve the so-called disaster.  Followers of JaysAnalysis or my Twitter or Facebook feed know that I deemed this event unworthy of any attention, and that I think it was likely staged, with a high probability of there being no plane at all.  That may seem extreme to some newer readers, but longtime readers will recall the numerous instances of known, staged and faked newscasts cataloged here when RawStory attacked me.

However, with the new Malaysian Plane Flight MH17, we have what appears to be something more significant – an emerging false flag event run by western intelligence and NATO to frame Russia for the purpose of further US/EU/NATO operations in staving off Russia.  In this article, I want to present that false flag thesis and other speculations based on the evidence that has emerged so far.  I will investigate the known facts to date, based on reliable sources with a good track record, the motives for the so-called attack, and the more esoteric and speculative connections that may also be relevant to seeing the “calling card” of who might have been behind the event.

The first and most obvious suspicion is that this is Malaysian Airlines, part deux.  I am not saying anything ridiculous like they are the same planes, but rather that two Malaysian Airlines flights become “diverted” to become center stage media foci within a month as mere coincidence stretches credulity.  One recalls immediately the numerous TWA flights of the last several decades that mysteriously were lost, hijacked and shot down, all of which served specific political motives advantageous to the Western establishment.  A second related question involves Malaysian Airlines itself – who owns this airline, and what intelligence agencies might be able to utilize it for such covert operations?  Hardly anyone in the media is asking this question, nor was it asked the last go around.

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JaysAnalysis Featured on The Sunday Wire

SUNDAY-WIRE-web-small-150x1501Journalist and talk radio host Patrick Henningsen of 21stCenturyWire interviewed me on his Sunday Wire show.  We cover a broad range of topics, centering around film analysis, esoterica, philosophy and twilight language.  I come on about thirty minutes in. Note – I said William Hurt and meant John Hurt.

The link is here.

The Prestige (2006) – A Film About Revelation of the Method

Film Poster. Image: Impawards.

Film Poster. Image: Impawards.

 

By: Jay

The Pledge

For most viewers, The Prestige was a film about rival stage magicians in the Victorian Era, alternately seeking to top one another in the dank climate of emerging industrial revolution and technological wonder.  Lord Caldlow/Angiers (Hugh Jackman) is the secret nobleman who has a flair for the art of illusion, while Robert Borden and his twin (Christian Bale) are the working class stage hands who have devoted their lives to their art.  In the midst of this rivalry, the curious figure of Nikola Tesla enters (played by David Bowie) to interject the element of real magic, titled in the film, “wizardry.”  Both magicians are on a quest to sabotage the other, while seeking to perfect the greatest trick of all – the transported man.

Stage rivalry and obsession is what The Prestige is about, but it is also about much more.  After several viewings (as is my normal habit), my thesis began to congeal: The Prestige is about Hollywood and film-making itself.  And not only that, it is an industry that is an art of deception and illusion.  The director and the actors are in effect illusion artists, or con men, if you will.  The successful director is able to fool the audience into accepting that what is presented on the screen is real, even if it is evidently fantastical.  The magicians’ ingenieure, Mr. Cutter (Michael Caine), explains this principle of film as illusion at the beginning, which is to be applied to the film itself.  Cutter states:

“Every great magic trick consists of three parts or acts. The first part is called “The Pledge”. The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course… it probably isn’t. The second act is called “The Turn”. The magician takes the ordinary something and makes it do something extraordinary. Now you’re looking for the secret… but you won’t find it, because of course you’re not really looking. You don’t really want to know. You want to be fooled. But you wouldn’t clap yet. Because making something disappear isn’t enough; you have to bring it back. That’s why every magic trick has a third act, the hardest part, the part we call “The Prestige”.”

Director Christopher Nolan explains in “The Making of The Prestige” this is to be applied to both directing and the film itself as theatrical illusion: “For me, The Prestige is very much about film-making.  It’s very much about what I do.  It is also intended to suggest to the audience some of those ideas about how the film itself is spooling its narrative out to the audience.  You want people to be aware of the effect the film is having as it’s unfolding before their eyes.”  The Prestige follows this same tripartite structure, as it draws you into an ordinary story of human rivalry and obsession, the “Turn,” where the audience is looking for the secret of Angier and the Borden’s trick, but not truly looking, because like film, stage magic operates under the audience’s suspension of disbelief.  The audience “wants to be fooled.”  And in the end, the transported man must come back – reemerge or resurrect, as the final climax of the show.

Keep ya bird in her cage, mate.

Keep ya bird in her cage, mate.

 

The Turn

In order to properly understand Nolan’s film, we must consider the same principle elucidated concerning David Lynch films – twilight language.  Researcher Michael Hoffman defines “twilight language” as follows in his Secret Societies and Psychological Warfare:  “The path to unlocking this gnosis was centered in “twilight language,” a once nearly universal subliminal communication system used in Egypt, Babylon, the Indian subcontinent and among the Aztecs, consisting of a combination of numbers, archetypal words and symbols, which in our time are sometimes embedded in modern advertising, and in certain modern films and music…. In Oriental Tantra, the mantra (including dharanikavacayamala, etc.) is sonically calculated to induce a particular action.  It forms part of the original sanskrit concept of sandhyabhasa(twilight language).  In Tantra, ‘Sandhyabhasa…is a language of light and darkness…in this higher type of discourse, words have another, a different meaning: this is not to be openly discussed.”  (pg. 207) Continue reading

Magickal Kingdom Ultra: Escape From Tomorrow and Sinister Disney

Escape From Tomorrow film poster with panopticon all-seeing eye.

Escape From Tomorrow film poster with panopticon all-seeing eye.

By: Jay

What is Disneyland?  Is it a classic incarnation of Amerikana, or is it, nowadays at least, something more?  Is it harmless, family friendly entertainment where the imagination is able to run free, or is there more at work inside the nation’s largest theme park/entertainment complex?  Rumors and speculation have abounded for years of  bizarre, inexplicable events associated with the parks as well as on the cruise ship lines, odd images embedded in the films, even to the Disney family being involved in “brainwashing” and “incest,” according to news reports.  While most of these topics are supposedly laid to waste through snopes.com and other debunkers, I propose there is more than meets the All-Seeing Eye at work.

A recent independent film has been released called Escape From Tommorow, in which the theme park is presented as a descent into madness, where an average family embarks on something akin to a bad acid trip, experiencing strange encounters, demonic forces, sexual enticement and self-destruction.  The film utilizes classic mythological and fairy tale motifs, concomitant with classic Disney, as well as blending all of that with Freudianism, conspiracy memes and technocracy.  Having received mixed reviews, I find it particularly relevant to the question of Disney itself, as the film is both a satire of what has become of Amerikana, as well as connecting with other recently released Disney films, such as Maleficent, another telling of the Sleeping Beauty like Escape From Tomorrow.  While it may seem strange to say, it is not outside the realm of possibility from the occult perspective that multiple films are released around the same time, utilizing similar stories and themes with the intention of having a ritual effect.  While this could be mere coincidence, there could also be more at work.

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Philosophy Phoenix Arises to Annihilate deGrasse Tyson

Disagree with Tyson? Racist!

Disagree with Tyson? Racist!

 

Or, Gödel Versus the New World Order

By: Jay

In the land of the blind, the 80s black science guy with 80s black guy mustache is king.  In a recent interview, high priest of neo-Darwinian scientism, Neil de Grasse Tyson expounded the true profundity of his worldview.  Tyson stated on a recent podcast:

“interviewer: At a certain point it’s just futile.

dGT: Yeah, yeah, exactly, exactly. My concern here is that the philosophers believe they are actually asking deep questions about nature. And to the scientist it’s, what are you doing? Why are you concerning yourself with the meaning of meaning?

(another) interviewer: I think a healthy balance of both is good.

dGT: Well, I’m still worried even about a healthy balance. Yeah, if you are distracted by your questions so that you can’t move forward, you are not being a productive contributor to our understanding of the natural world. And so the scientist knows when the question “what is the sound of one hand clapping?” is a pointless delay in our progress.

[insert predictable joke by one interviewer, imitating the clapping of one hand]

dGT: How do you define clapping? All of a sudden it devolves into a discussion of the definition of words. And I’d rather keep the conversation about ideas. And when you do that don’t derail yourself on questions that you think are important because philosophy class tells you this. The scientist says look, I got all this world of unknown out there, I’m moving on, I’m leaving you behind. You can’t even cross the street because you are distracted by what you are sure are deep questions you’ve asked yourself. I don’t have the time for that. [Note to the reader: I, like Neil, live and work in Manhattan, and I can assure you that I am quite adept at crossing the perilous streets of the metropolis.]

interviewer [not one to put too fine a point on things, apparently]: I also felt that it was a fat load of crap, as one could define what crap is and the essential qualities that make up crap: how you grade a philosophy paper? [5] Continue reading

The Theater of Media Operations: Snowden Analyzed

Wikileaks, Part Deux. Image: Truthseeker.co.uk

Wikileaks, Part Deux. Image: Truthseeker.co.uk

By: Jay

One of the evident patterns that emerges concerning the theater of operations known as “media” is the never-ending rabbit hole of trails and endless, conflicting details that don’t and won’t add up concerning a figure like Edward Snowden.  The application of the military term “theater of operations” is especially relevant here, since we swim in a sea of media theater and infotainment.  This is not by accident: The theater of infotainment itself is an important pillar of the Infowar.  With Edward Snowden, the recent star of the world media acting stage, the trails and legend(s) surrounding his back story are purposefully misleading.

Concerning this intentional labyrinth of false leads and bogus details, analyst Jon Rappoport comments:

“Of course, the American people don’t consider all these potential elements of the Snowden affair. (More on the various potential elements of the Snowden affair can be found here under the #Spygate heading on my blog (top right hand side link).)

Although they watch spy movies and television shows, they don’t believe, when push comes to shove, that intelligence operations have layers and false trails and cover stories and limited hangouts.  They don’t believe that deception can run that deep. They don’t stop to realize that all spies are trained to lie.  Lying convincingly is the number-one requisite for a spy. Lie to enemies, lie to friends, lie to the press, lie to other agencies of government.  If a spy doesn’t wake up every day thinking about what lies he’ll tell from breakfast to dinner, he’s a dud. A washout. A danger to himself and others.  Spies live in a labyrinth of deceit. It takes a certain kind of personality to thrive in that atmosphere.” Continue reading

Raw Story Attacks JaysAnalysis – My Response

OBEY.

OBEY.

 

By: Jay

The limp wrists at stRaw Story have somehow managed to find the strength in their upper appendages to type up a hit piece on JaysAnalysis for daring to question the immediate, prepackaged narrative of the mainstream media machine concerning the Elliot Rodger event. Raw Story, as most are aware, is a Democratic Party line outfit that parrots whatever the Democratic talking points are – so just as the author wants to castigate me as the lunatic fringe, we can likewise place him in his appropriate cubicle at Obama Apologetics, Inc.

The article has little substance, other than flowery rhetoric designed to lull the most avid Party followers into assuming that everything at my site is written directly from a mental asylum communal computer space, yet readers know that in the last month alone, I’ve had numerous viral news stories, including accurately predicting both the IMF bailout in Ukraine and the CIA revelations about Snowden as one of their own. It also doesn’t matter that I’ve interviewed top politicians, analysts and intelligence experts – no, none of that matters. The only thing relevant is the typical faux leftist race card accusation.

Classic Fake War Broadcast from CNN

The writer insinuates that I am racist by accusing me of writing about “Jews,” though I nowhere mention Jews or international bankers in the article. In fact, the first person to say the Elliot Rodger incident was a false flag was in fact the former State Department head of black operations, Dr. Steve Pieczenik, a Jew. It’s also worth asking the Raw Story Obama apologists if, since they tend to follow the Party line, they agree with Obama’s actions in supporting Al Qaeda, an anti-Jewish organization, as well as the funding of Neo-nazis in Ukraine and other color revolutions? What about Obama’s expansionist warfare through AFRICOM killing blacks?  I oppose those actions, while so-called leftists have tended to support them.  What about the fact that the Pentagon now openly does Psy Ops on American citizens, whereas formerly it was covert (and here)?

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JaysAnalysis Vindicated: Snowden Admits He’s a CIA Operative

Image: Infowars.

Image: Infowars.

By: Jay

Edward Snowden is back in the news giving an exclusive interview to NBC’s Brian Williams Tuesday.  In the interview, Snowden has revealed more of his questionable past.  As witnesses can attest, as soon as the “Snowden Leaks” broke, I called scam, not because I simply call everything a scam, but because of the specific pattern and actions taken by Snowden and according to the web of bull the mainstream media was spinning.  Snowden has confirmed to NBC that he was a CIA operative, and not just a mere NSA tech analyst.  This means his back story is not accurate as it was given, and those who were the critics were vindicated, and his testimony as a “whistleblower” is shot.

Shortly thereafter, and unrelated to my assessment, Webster Tarpley laid out a particularly poignant article that explained the major patterns that establish Snowden as a front man for fake opposition, much like Julian Assange.  I decided to give the situation more time, and December 1, 2013, I wrote about how it was absurd that Snowden could not be touched, yet was giving interviews to the big intelligence-run western media, just like bin Laden did in the old days – international men of terror can be found by CBS and NBC quite easily.  No one can seem to touch them, yet Brian Williams can reach out and touch them quite literally. Thus the whole charade is ridiculous.

Veterans of intelligence work and black operations then made it clear that Snowden was a faux hero who was questionable at the least, including Dr. Steve Pieczenik, Sibel Edmonds, Daniel Estulin, Kurt Nimmo and Jon Rappoport. I am not trying to take credit ahead of these minds – they have been at this a lot longer than I, but I will give my intuition and analysis the credit it is due, especially since the majority of the world was (and still is) fooled by Snowden, just as they bought into Assange and Manning, as Manning became a woman, throwing egg on all the faces of those who laughably assume the mainstream western media is going to put up a genuine hero.  Anyone exalted in the completely Teleprompter-fed media according to a ridiculous back story and narrative is not a “whistleblower.”  Likening the situation to older Bin Laden interviews, I wrote December 1, 2013:

“Other videos are available that illustrate the same absurdity.  We are asked to believe that the very entities that built NSA supercomputers than can track and trace all emails and communications, as well as creating the Internet, are unable to locate people that low-level CNN and Al Jazeera reporters are able to walk up to.  Likewise, Julian Assange, the great threat to America, is able to walk into Embassies and stay at public locations in London.  Similar bogus narratives also surround characters like Snowden, and these patterns become evident: The Pentagon Papers, North Korea, Wikileaks and Bradley “Chelsea” Manning, Bin Laden, Edward Snowden, and on and on, are all fakes.  They are not real threats, but Hollywood-style scripted villains.  When the Snowden affair (what I call Wikileaks II) was big news a few months ago, my immediate reaction was the same as Tarpley’s: these boogeymen all evidence the same patterns.  Tarpley noted in his article that certain features mark limited psy op hangouts that easily dupe the mass man.  These features are as follows:

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