By: Jay Dyer
One of the central topics I’ve dealt with is media fakery, Psy Ops, hoaxing and how this all ties directly into Hollywood, through the government’s direct contact with Tinsel town. For most people, this is far-fetched and too much, yet when we consider the best explanatory narrative for these events, we can only conclude there is large-scale coordination. The immense scale of the outright lies and the full spectrum approach of the mass media’s psy ops (and in my view mass media itself is a psy op) is something most people cannot accept, yet the usage of fakery and deception on the part of the state is historically commonplace, from Plato’s “noble lie” in the Republic, to Book VI of Machiavelli’s Art of War.
The countless instances of this coordination, from episodes of The Simpsons, to Grey’s Anatomy, and the pre-9/11 examples, the only logical conclusion for a thesis concerning predictive programming/pre-scripting is that it is organized and coordinated. Granted, some cases of this “pre-scripting” could be coincidence and happenstance, but the sheer number of impossible coincidences bespeaks more. And given that the state, historically, has generally engaged in mass scale deception and fakery – especially in warfare and military application – is not obvious that state-coordination is the most logical thesis as to how mass shootings, “terror attacks” and other “big events” all tie into fiction? It most certainly is.
Chris Kendall of Hoax Buster’s Call has done excellent work in tracking many of these instances (as well as Darwinism), as he has documented in his piece, “Media Manipulation and Coordination: Why does the “News” always seem to get mixed in with Fiction?”:
NOTE: This is a revised and updated post that was originally made back in December of 2014.
“The film “Made in France,” a thriller about a jihadist cell that launches a series of simultaneous attacks in Paris, saw its release postponed indefinitely in light of Friday’s terrorist attacks across Paris.
The decision was taken by the film’s distributor, Pretty Pictures, who is still determined to release the film at a “later date”.
Posters of the film, that had just been freshly plastered inside numerous Paris metro stations, sported a dramatic visual: a large Kalashnikov nestled against France’s most iconic symbol, the Eiffel Tower.
The film was originally scheduled to hit the big screen on November 18, and the producers wanted to make a striking impression with a powerful image. But in a cruel twist of life imitating art, Paris came under attack and within hours the posters were hastily removed by Media Transports, the advertising arm of the RATP.
Even more than the poster’s image, it’s the plot of Nicolas Boukhrief’s film that seems to echo the terror that France has just been subjected to. “Made in France” tells the story of an undercover journalist who infiltrates a jihadist cell in a Paris suburb which is preparing a series of highly sophisticated attacks in the heart of Paris.”
More recently, Chris has put together an excellent video analyzing the Giffords Shooting and its connection to an episode of Grey’s Anatomy that includes the very details of the event (which I followed intently at the time). The episode, it should be noted, aired January 6, 2011, while the shooting event occurred January 8th, 2011. Do the producers of primetime TV have a magic crystal ball? Are they sacrificing Paul Walkers each blood moon so the spirits of the gods can divine the details of a shooting event a week later? Or, is it more likely the CIA (as we absolutely know) coordinates the media and Hollywood to mix up fact and fiction into a synthetically GMO-created faction – a new reality schema with which the public mind interprets the real world? The second is the correct answer, if you didn’t know.
Chris notes in his post, “The Shooting Epidemic Part 2.: Giffords and Grey’s Anatomy:”
Grey’s Anatomy “Disarm”, Season 7, Episode 11 Originally aired January 6, 2011
Chris’ examples also extend to recent shootings, such as Charleston and the WBDJ “event,” and worth recalling:
“The season one finale of USA Network’s Mr Robot will not be broadcast Wednesday night as scheduled because it contains a scene that has similarities to the on-air killings of a TV reporter and cameraman in Virginia.
The network made the announcement shortly after the news broke about the fatal shooting of Alison Parker, 24, and Adam Ward, 27, during a live interview on the morning news on CBS affiliate WBDJ. ‘Out of respect to the victims, their families and colleagues, and our viewers, we are postponing tonight’s episode. Our thoughts go out to all those affected during this difficult time,’ USA said in a statement.”
bryce williams hoax? Via: MJT
“It is not random chance this was included in the Kingsman script, and the plot gets even nuttier. Intent on testing his VLF manipulation technology, Valentine chooses a backwoods Kentucky “racist” church, having led Galahad (Firth) there. The frequency manipulation results in Galahad assassinating all the church members in a bloody festival of gore that hints at a mass ritual murder.”
Charleston church shooting… “On the evening of June 17, 2015, a mass shooting took place at Emanuel African Methodist Episcopal Church in downtown Charleston, South Carolina, United States. Nine people were shot and killed, including the senior pastor, state senator Clementa C. Pinckney; a tenth person was shot and survived. The church is one of the United States’ oldest black churches and has long been a site for community organization around civil rights.”
Another feature of this phenomenon that is crucial to understand is the lack of emotion and/or out-of-place emotion on the part of the “actors” in the event, whether Sandy Hook or the “Daily Shooter” events (and here). In this video, you’ll see the incoherent behavior (and bad thespian skills) of a host of participants. Does this sound far-fetched? Consider that Europe just participated in a mass, “chillingly realistic” drill that included some 1,000 actors. And, for some participants, this is tremendously amusing – duper’s delight, indeed:
If you’re still not putting the pieces together, consider the pyrotechnics and reality-based first responder, military/terror training tactics and “full immersion” stagecraft that Craft was known for. Chris demonstrates this, as well, in his video: