Hollywood CIA – A Dark Cult Marriage Revealed

BFFs 4-Ever.
BFFs 4-Ever.

BFFs 4-Ever.

By: Jay

One of the more fanciful, or thought to be fanciful, topics I’ve been covering for a good while now is the subject of the relationship of the CIA to Hollywood.  Recent blockbusters like Zero Dark Thirty and American Sniper focus on the military and intelligence agencies in supposed “based on true events” scenarios, but is more at work here?  The film industry has always loved tales of espionage, but in reality, the creation and manufacturing of a completely alternate reality and history is far more extensive than most would assume.  While many films have nobly challenged assumptions about war in figures like Kubrick or Stone, for the most part, film has functioned as one of the most powerful forms of propaganda in the western establishment’s arsenal.

Watching some old G.I. Joe cartoon episodes for an upcoming analysis, I was not surprised to find Harvard psychological consultants as part of the production of the show, as reaching the youth with propaganda is central to creating cubicle dwelling automatons later in life.   Likewise, researching this as a thesis topic was also instrumental in making these connections, as was the mass of information in Peter Levenda’s Sinister Forces trilogy.  More recently, a plethora of news articles have surfaced that highlight this deep relationship, as this rabbit hole never ends.  The coalescing of intelligence agencies, secret societies and Hollywood in reality is more sensational than any incestuous cult a pulp crime fiction writer could dream up.

Author John Rizzo has recently published a book titled Company Man: Thirty Years of Controversy and Crisis in the CIA, which is an amazing admission of this scandalous affair between intelligence and the film industry.  The L.A. Times comments:

“The CIA has long had a special relationship with the entertainment industry, devoting considerable attention to fostering relationships with Hollywood movers and shakers—studio executives, producers, directors, big-name actors,” John Rizzo, the former acting CIA general counsel, wrote in his new book, “Company Man: Thirty Years of Crisis and Controversy in the CIA….

Rizzo's "Company Man." Image: amazon.com

Rizzo’s “Company Man.” Image: amazon.com

The CIA also recruits actors to give more visibility to propaganda projects abroad, such as a documentary secretly produced by the agency, Rizzo said. And the agency sometimes takes advantage of the door-opening cachet that movie stars and other American celebrities enjoy. A star who met a world leader, for example, might be asked for details about that meeting.

The CIA has officials assigned full-time to the care and feeding of Hollywood assets, Rizzo wrote.  Other former CIA officials added that some of those operatives work in the Los Angeles office of an agency department called the National Resources Division, which recruits people in the U.S. to help America spy abroad.”

Britney's infamous meltdown.

Britney’s infamous meltdown.

With that in mind, recent news regarding Brittney Spears may reveal much more than the headline suggests.  Researchers have opined that “rehab” centers may actually be used for “programming” the “stars” for various mind controlled objectives (as John Marks hints at in his Search for the Manchurian Candidate, pg. , whether as sex slaves or spies as Rizzo discusses.  Author Dave McGowan has detailed the military and intelligence connections to Laurel Canyon, the home of the budding counter-culture rock movement in the 60s, which spawned acts like Zappa and the Doors.  Military and intelligence connections thus come to the fore here with Brittney’s ex, who “coached her through rehab” being killed transporting “dignitaries” in Afghanistan – obviously an intelligence cover.  Was Sundahl her helpful boyfriend, or was more at work here?

The notion of mind controlled sex slaves and DID/MPD actors and singers is something still far-fetched for the masses, yet more and more information supporting this idea continues to come forward.  In regard to Lady Gaga and Amanda Bynes, I recently wrote:

“The potential for abuse here is quite obvious. In my old article, I also relate how the modern psychiatric “bible,” known as the DSM-V still cites Dr. Estabrooks’ old essay, showing the present establishment views all this as authentic, as well as a host of films that portray mind control themes.  In fact, it seems as if mind controlled assassins and alters is appearing in countless productions with increasing frequency.  Remember – it was Hollywood that was making films about MKULTRA before it was even known to the public as a real program, as we see in the 1962 The Manchurian Candidate.

With this direct Hollywood connection in mind, we can see the likely possibility of the abuse of pop stars, who become high-priced commodities for the same establishment.  I have written before about Candy Jones, and all the way up to the present, top stars are now alleging they were abused by their “handlers” and/or producers.  While some cases may be publicity stunts, it is hard to believe they all are.

News hounds will recall Amanda Bynes believing she was brainwashed and implanted with a microchip and Ke$ha recently suing for abuse by her “handler,” Dr. Luke, with Luke in turn counter-suing.  Prior to that, we have witnessed a barrage of news stories the last few years recounting a stream of victims alleging networks of sickos using and abusing those under them.  Let us not forget Penn State and Jerry Sandusky and Jimmy Savile of the UK, as well as a host of UK government officials.  Recent reports also arose from actors like Corey Feldman, who alleges similar crimes.”

Details surrounding the death of screenwriter Gary Devore (author of Raw Deal and Time Cop) killed in 1997 also made the news this week, with the production of a new documentary on his questionable death.  The Daily Mail reveals that Devore was, in fact, working with the CIA, while the strange dating of the severed hands suggests a possible ritual connection:

“When the skeletal remains of Hollywood screenwriter Gary Devore were found strapped into his Ford Explorer submerged beneath the California Aqueduct in 1998 it brought an end to one of America’s most high-profile missing person cases.

The fact that Devore was on his way to deliver a film script that promised to explain the ‘real reason’ why the US invaded Panama, has long given rise to a slew of conspiracies surrounding the nature of his ‘accidental’ death.

It didn’t help that Devore’s hands were missing from the crash scene, along with the script, and that investigators could offer no plausible explanation as to how a car could leave the highway and end up in the position it was found a year after he disappeared.
Now the Daily Mail can exclusively reveal that Devore was working with the CIA in Panama and even a White House source concedes his mysterious death bears all the hallmarks of a cover-up.”



The concept of ritual murder is not foreign to Hollywood, when one recalls the Black Dhalia case, which I have discussed elsewhere.  Hollywood is a kind of Babylon, as numerous researchers have suggested, and only with the advent of the Internet is becoming evident how close that nexus of CIA, underground mafia networks, occultists and intelligence agencies really is. It is a veritable threshold of the “gods” (little “g”), and gods often require a sacrifice – I wrote:

“That there is a dark side to Hollywood is generally known, given the numerous cases of bizarre deaths, yet the occult side is still lesser known.  In his section from Sinister Forces Vol. III on “Hollywood Babylon,” Levenda includes a snippet from comparative religion writer Mircea Eliade:  “Babylon was Bab-ilani, a “gate of the gods,” for it was there that the gods descended to earth….But it was always Babylon that is the scene of the connection between the earth and the lower regions, for the city had been built upon bab apsi, the “Gates of Apsu” – apsu designating the waters of chaos before the Creation.” (pg. 109)

And in Eliade’s The Sacred and the Profane, he explains of the ancient conception of the threshold or gate, which is peculiarly applicable:

“A similar ritual function falls to the threshold of the human habitation, and it is for this reason that the threshold is an object of great importance.  Numerous rites accompany passing the domestic threshold – a bow, a prostration, a pious touch of the hand, and so on.  The threshold has its guardians – gods and spirits who forbid entrance both to human enemies and to demons and the power of pestilence.  It is on the threshold that sacrifices to the guardian divinities are offered.  Here too certain paleo-oriental cultures (Babylon, Egypt, Israel) situated the judgment place.  The threshold, the door show the solution of continuity in space immediately and concretely; hence their great religious importance, for they are symbols and at the same time vehicles passage from one space to another.” (pg. 25)

"Argo" is based on Mendez' work.

“Argo” is based on Mendez’ work.

In analyzing J.J. Abrams’ Alias, we saw this week that Jennifer Garner was recruited by the CIA to be a kind of PR front to sell recruitment as glamorous.  A few days later, the Washington Post ran a revealing piece that coincides with my analysis, titled “Ex-spies Infiltrate Hollywood as Espionage TV Shows and Movies Multiply.”  The article treats the issue as if this is some new move, when readers of JaysAnalysis know this is nothing new, but a classic dark marriage that existed all along.   Consider the laughable irony here, as The Americans is a show about KGB infiltration of America, in the midst of an article about actual CIA usage of Hollywood (as propaganda), as the Post writes:

“Hollywood tends to be a destination spot for a lot of Washingtonians,” said David Nevins, the president of Showtime, which produces the spy juggernaut “Homeland.

“There was the ‘West Wing’ crowd of former politicos. I’ve met with more than one former Navy SEAL. And now, certainly the intelligence community has been the most recent in a long line of Washingtonians trying to come out and tell their stories.

Weisberg, whose show begins its third season on FX on Wednesday night, is perhaps the most successful of the CIA alumni who have infiltrated Hollywood. “The Americans,” about two deep-cover KGB operatives living in suburban Virginia in the 1980s, was ranked by many television critics as one of last year’s top 10 shows.

But Weisberg, who left the CIA in 1994, is hardly the only ex-agency guy trying to cash in on the spy show craze. (Spy shows, one executive at a major Hollywood talent agency observed, have become as ubiquitous as cop shows.) Former senior CIA officials Rodney Faraon and Henry “Hank” Crumpton are the executive producers of NBC’s “State of Affairs,” which stars Katherine Heigl as a CIA analyst and member of the agency’s presidential daily briefing team — one of Faraon’s old jobs.”

Let us also not forget the role of Melissa Mahle, former CIA operative, in “coaching” and “advising” CFR member Angelina Jolie in her role as triple agent in SALT, the 2010 espionage thriller.  The film itself was loosely based on Mahle, as the Telegraph reports, “Jolie’s role is based, loosely, on the experiences of Mahle and other spies.  ‘I was very impressed when I met Angelina,’ says Mahle. ‘She was very intent upon understanding not only what a real CIA officer was like but also the motivations behind our actions.”

Jayne Mansfield with Anton LaVey, founder of the Church of Satan, also met with a dark end.

Jayne Mansfield with Anton LaVey, founder of the Church of Satan, also met with a dark end.

Indeed, it is becoming more and more apparent that Hollywood really is the flip side of the CIA, when we think of Ben Affleck doing Argo based around CIA operative Antonio Mendez, one of the Agency’s Masters of Disguise.  Affleck revealed Hollywood is “probably full of CIA” to the Guardian, in the wake of his film about the CIA staging a fake B movie shooting in Iran.  As these revelations continue to leak, we can expect more evidence to confirm the kind of thesis Freeman puts forth in his following documentary on Anna Nicole Smith, where the extent of mind control connecting Hollywood and the dark side of the CIA may run far deeper than even I imagine, especially when we think of individuals like Sammy Davis, Jr. and Jayne Mansfield, who were members of the Church of Satan, as well as a host of other celebrities who fancy dabbling in the occult – for example, here and here.  In fact, films like Eyes Wide Shut have revealed these very associations, and from the Black Dhalia to Mulholland Drive to Milla, these connections are real, especially when we understand films like Zero Dark Thirty are pure CIA propaganda fictions.

22 Comments on Hollywood CIA – A Dark Cult Marriage Revealed

  1. great entry jay, you’re really on the trail here with Levenda

  2. I’m reading dave’s book Programed to kill right now , great book but sickening to think this is how they work , Yes there is something wrong in hollyweird and the music industry today , that is why i opt out of this propaganda crap , have not bought a cd in years nor do i go to the movies anymore . Here is a quote from CIA scientist george white … it was fun fun fun , where else could a red blooded american boy lie cheat steal decieve rape pillage and kill with the blessing and sanction of the all highest ? Thats all i needed to read to know these monsters are sick , check out this program from the CIA ( RCO ) remote controlled organism used on cats first , they have had 60 years to profect this tech so just imagine what they can do with it now ( hollywood stars and singers anyone ) . Great article to wake up the people with , hopefuly they will do some research into this weirdness . Rabbit hole time folks #opdeatheaters i’d say enjoy but it will make you sick as it is happening all over the world right now . tc all

  3. I like the various links you provide here. The Cloth of deception seems to be coming a bit loose as of late, especially as it relates to Hollywood and Pedophilia (but I repeat myself). I appreciate how concisely you were able to begin to expose some of the connections, and I thought the Eliade quotes were particular telling, especially with the oscars coming up soon.

    I’d like to add a bit to this if I could because I was so shocked to see this in a newspaper the other day: http://www.baltimoresun.com/features/baltimore-insider-blog/bal-nascar-driver-claims-exgirlfriend-is-a-trained-assassin-20150115-story.html

    The title is “Ellicot City Woman Doubles As Trained Assassin, Her NASCAR Driver Ex-Boyfriend Claims”. The Driver is Kurt Busch, and he said it in court on the stand, so it wasn’t just a flippant remark.

    The woman’s name is Patricia Driscoll. Here is her Wikipedia page: https://en.wikipedia.org/wiki/Patricia_Driscoll_(business_executive)

    She is the CEO of a defense contractor, and the president of the Armed Forces Foundation A non-profit NGO that helps people in the military, and their families. Something that caught my eye about her background is that she is from El Paso, Texas, which is right near Juarez, Mexico. The significance of this is best described (that I know of) in Dave McGowan’s other book Programmed to Kill. This area is rife with drug trafficking, but is also notorious for producing numerous serial killers. McGowan shows through a variety of sources that a location outside of Juarez was likely, and may still be, a training ground for assassins for military and intelligence agencies.

    I know that this isn’t Hollywood, although according to Busch, Driscoll claims to be the inspiration for a character in Zero Dark Thirty, but Busch is a sports entertainer.

    One of the most obvious movies to expose mind control is Zoolander, which I’m surprised isn’t mentioned more often. Brainwashing happens at a spa, a pop song is used as a trigger for an alter, John Wilkes Booth is noted as an actor and model, some of the photo shoots with Zoolander feature bdsm themes, as well as the character pretending to be a mechanical monkey,w which could allude to trauma based mind control practices, and it’s Ben Stiller’s real father who acts as the handler, Maury, who sells out Zoolander, which could be an allusion to the parents of child stars selling them to studios. This is just off the top of my head, but I’m guessing their could be a good bit more.

  4. For some reason this reminds me of “The strange but mostly true history of Laurel Canyon” http://informationfarm.blogspot.com/2010/02/inside-lc-strange-but-mostly-true-story.html . This is about the true origins of a lot of 60s musical acts like the Doors, Frank Zappa, The Parsons Project, the Mommas and the Poppas, etc. ALL of them were the children of prominent members of the Military Intelligence Complex. They also mention a “secret studio” being used during WWII that apparently made a lot of movies for the Pentagon nearby to Laurel Canyon.

  5. Zack Steiner // April 28, 2015 at 4:03 am // Reply

    Hi Jay,

    I have been reading your articles over the past few days, and they’re absolutely brilliant pieces of deep insight and intelligence. You are, undoubtedly and unequivocally, in an exceedingly small group of extraordinary thinkers that truly understands the *totality* of our current situation and world affairs (Micheal A Hoffman, whom I deeply respect, is another writer in this category, but your range of topics is far broader).

    I contrast your exceptional grasp of totality with someone like Justin Raimondo whose columns I have been reading for the past 15yrs. Although he’s a highly intelligent and perceptive thinker, he simply does not, and can not, see the entire cohesiveness of the “meta-narrative” of our reality for, as is the case with countless others like him, he has no understanding of the fundamental *esoteric* and *occult* foundations and fabric that undergird the power elite’s very existence. Thus, these thinkers are, for a lack of a better expression, stuck at a lower level of consciousness.

    Without the recognition and in-depth knowledge of the occult and esoteric elements, one will simply never comprehend the enormity and totality of the problem, nor ever be able to formulate a viable solution, given how this esoteric knowledge of the psychopathic elites is so effective in implementing mass mind control. We will always be under a spell, and in a trance state, only reacting to the selected narrative and script chosen for us by the dark occultists, unless and until we come to grips with admitting and grasping our “master’s” not-so-hidden esoteric syntax.

    I hope you continue to write and explore these topics for a long time to come, and that your insight affects a transformation in the consciousness of the “walking dead”, a favorite term of mockery used by the dark occultists to describe the “uninitiated” aka the rest of us. Once again, I commend you on your valiant effort in defending and fighting for the most essential attributes of the Divine Good: Truth and Freedom.

      • Zack Steiner // April 28, 2015 at 4:51 am //

        Hi Jay,

        No thanks required for I’m simply stating facts!

        Jay, you mention Dave McGowan in the above article. Have you read any of his remarkable essays on the fake moon landings? The technicalities aside, the moon hoax is an absolute treasure trove of occult signs and symbols, and I hope you consider doing an analysis of that dimension of it someday. One can write an entire multi-volume book on the topic, in my opinion.

        You probably already knew this but here’s one seemingly ‘insignificant’ tid-bit, among hundreds of such blatant and blazing display of esotericism, of “you-can’t-make-this-stuff-up” facts: Apollo 13, aptly named “Aquarius”, lifted off at 1:13pm, or 13:13 military time, on April 11th, 1971, and reported its catastrophic engine failure on … wait for it … April 13th. How the public never picked up on these obvious in-your-face “pronouncements” is a testament to the absolute symbolic illiteracy of the wilfully blind and sleeping masses.

  6. Dr. Monty Hughs // October 18, 2015 at 5:22 pm // Reply

    Regarding your book, I loved it! The only issue was the guy you said was killed ” John Sundahl ” is still alive. He survived and is recovering. I know the guy and I can tell you he indeed is with the CIA.

  7. Kubrik was part of Hollywood propaganda more than most. He produced the footage of the fake moon landings. He directed a film called The Shining. Horror books and kitsch are used to dumb the working class down and keep them in fear of thin air. Stephen King did not get popular by accident. His books served our capitalist ruling class objectives by spreading crass mass culture

    It appears that you like Bowie. The entire music industry is also a propaganda tool. Bowie wrote about everything but social issues. They encourage artists and films and songs to be about bizarre, far fetched, fantastical subjects.

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