The Astonishing Predictive Programming in ‘Alias’

The many faces of Sydney Bristow.
The many faces of Sydney Bristow.

The many faces of mind controlled assassin, Sydney Bristow.

By: Jay Dyer

It’s as if we have entered some kind of time rift, with Twin Peaks, X Files, and now possibly Alias making a comeback to TV.   On top of that, The Prodigy has a new album, so I wonder if I should be heading to first period class tomorrow, as if it’s 1996.  Although Alias isn’t 90s, it seems to fit roughly in that era for me.

Reviewing the series recently, I was struck by how much real-life, predictive programming conspirana was present in the series, and should it get a reboot, we can expect a good deal more.  With that in mind, it is time for an analysis of the über conspiracy-laced J.J. Abrams classic, Alias.

Early on, as Sydney Bristow is recruited into a secretive section of what she believes is the CIA, her unit, SD-6, operates under the cover of a bank, Credit Dauphine.  This interesting cover may have some basis in reality, since according to Stephen Dorril’s massive MI6, the Bank of England, “had a considerable intelligence staff of its own and was ready to use Thompson’s information [Joint Intelligence] information but was unwilling to pool its own.  The JIO also had a coordinating role in respect of the work of its own security and intelligence agencies” (pg. 727).  Dorril continues in regard to the Royal Bank of Scotland, according to Richard Tomlinson:

“MI6 passes on such sensitive intelligence to several clearing and merchant banks, including Midland, alleged by Tomlinson to be a ‘complete MI6 bank,’ the Royal Bank of Scotland and Kleinwort Benson.  Tomlinson adds that ‘the primary intelligence requirement against Germany…is economic intelligence,’ and such spying is ‘accorded the same level of secrecy and need-to-know indoctrination as highly sensitive Russian casework” (pg. 779)

We can think as well of the BCCI scandal from the 80s, which functioned as a CIA shell bank that diverted funding to cartels and terror networks.  It also recalls scandals involving Credit Suisse, which recently plead guilty to tax evasion and appeared in the midst of a ‘dark pool’ trading scandal.  Sydney Bristow’s cover operation Credit Dauphine thus mimics reality far more than most would assume.  While Alias is full of assassinations and shell companies that result in numerous deaths, the real global banking world has seen a plethora of suspicious banker deaths in the last couple years that defies belief. (See my analysis of Tykwer’s film The International as possibly foreshadowing this phenomenon).

The mysterious Meuller Device in Alias, developed by an alchemist that alters the structure of objects near it.

The mysterious Meuller Device in Alias, developed by an alchemist that alters the structure of objects near it.  Note the similarity to the “red matter” in Abrams’ 2009 Star Trek. Hints at secret technology?

Years prior to mainstream knowledge of ECHELON and the NSA, the early episodes of Alias make specific reference to these programs, demonstrating their vast capabilities.  While James Bamford had written about the abilities of the NSA back in 1983 in his Puzzle Palace, few and far between were the movies that made explicit mention of them.

Films such as Sneakers, Enemy of the State and a handful of others had given mention to these programs, but with Alias we have a tremendous revelation of the scope of these programs and integration with other technological surveillance, as well as the cooperation of intelligence agencies trafficking in this data back in 2001, immediately following the 9/11 events.

While those revelations are striking, the most intriguing is the series’ focus on MKULTRA and mind control.  Numerous episodes feature Sydney being subjected to various types of mind control programming that prepared her for her various field operation roles, all the way back to her youth.

The child of intelligence agents, Sydney showed exceptional abilities that resulted in her placement in special intelligence-run schools that would prepare her for everything from sexual swallow operations, to assassination missions.  While these aspects of the show are certainly hyped and glamorized in Hollywood fashion, the degree of reality behind these is also stunning.  MKULTRA was actually a name for numerous subprojects that involved every conceivable experimentation in wiping and programming prospective agents.

More alternate personae.

More alternate personae.

John Marks’ classic, The CIA and the Search for the Manchurian Candidate details these various projects, including ULTRA, NAOMI, ARTICHOKE, SERCH and DELTA.  These projects involved drugging, experimentation, sensory deprivation, brainwashing and imprinting, the creation of alternate personalities, assassination programming, technological surveillance and RF manipulation, as well as much more.  The scope of these projects is frightening, and involved major pharmaceutical companies, high level banking agents and military intelligence, United States universities, as well as cooperation with British intelligence and Canadian psychiatric institutions.

In regard to Alias, we see several episodes where Sydney is abducted, experiences time loss, demonstrates a number of alternate personas, is wiped and drugged, and engages in swallow operations. “Sydney” also calls to mind “cid,” or acid, or LSD, as well as Dr. Sidney Gottlieb, another major doctor involved in administering LSD to MKULTRA subjectsMarks gives an illustrative discussion of Lauren G., an early test subject of Dr. Ewan Cameron, a major figure in the MKULTRA program:

“When Lauren G.’s husband delivered her to Cameron, the psychiatrist told him she would receive some electroshock, a standard treatment at the time. Besides that, states her husband, “Cameron was not very communicative, but I didn’t think she was getting anything out of the ordinary.” The husband had no way of knowing that Cameron would use an unproved experimental technique on his wife—much less that the psychiatrist intended to “depattern” her. Nor did he realize that the CIA was supporting this work with about $19,000 a year in secret funds.

Cameron defined “depatterning” as breaking up existing patterns of behavior, both the normal and the schizophrenic, by means of particularly intensive electroshocks, usually combined with prolonged, drug-induced sleep. Here was a psychiatrist willing—indeed, eager—to wipe the human mind totally clean. Back in 1951, ARTICHOKE’s Morse Allen had likened the process to “creation of a vegetable.” Cameron justified this tabula rasa approach because he had a theory of “differential amnesia,” for which he provided no statistical evidence when he published it. He postulated that after he produced “complete amnesia” in a subject, the person would eventually recover memory of his normal but not his schizophrenic behavior. Thus, Cameron claimed he could generate “differential amnesia.” Creating such a state in which a man who knew too much could be made to forget had long been a prime objective of the ARTICHOKE and MKULTRA programs.” (pg. 133)

The striking discovery Sydney makes after a few seasons is that the various operations she has been infiltrating and exposing are part of a global power structure ruled by 12 elites who control black markets, technology and banking.   A vague reference to the top bloodlines of the so-called “Illuminati,” the various fronts of SD-6, the Alliance, the Covenant and Prophet 5 are revealed to be an international, SPECTRE-style organization with its octopus tentacles in every major field.   Transcending an initial Cold War dialectic where Sydney believed she was being manipulated by Russian agents, the Alliance and Prophet 5 are actually a secretive transnational organization interested in life extension and immortality through the occult secrets of nature.

Esoteric and alchemical technology from Rambaldi sketches.

Esoteric and alchemical technology from Rambaldi sketches.

The enigmatic Italian Renaissance figure in the series known as  Milo Rambaldi (a kind of Leonardo Da Vinci) had discovered the secrets of nature, and the series finale concludes with antagonist Arvin Sloane discovering this occult secret, “this is the end of nature.”  Sydney is also the prophesied “rose” of Rambaldi, which hearkens again to alchemical ideas found in the Rosicrucians.

In reality, this is the great game of the transhumanists and the elite families who are busy seeking to end nature, and attain life extension and immortality through technology.  On the website of transhumanist Dimitry Itskov, we find just this plan revealed, with the goal set for 2045Transhumanism developed out of the older eugenics movement, and with Arvin Sloane, the series even reveals his NGO plan to vaccinate third world populations to sterilize them – something that has emerged in real life with the United Nations.

The shadowy, SPECTRE-like Alliance.

The shadowy, SPECTRE-like Alliance.

Alias ends with a massive L.A. subway bombing organized by Sloane, who has staged a coup to take over Prophet 5 (the Illuminati, for simplicity’s sake), before an attempt to provoke international war by releasing Russian ICBMs.  The provoked war between Russia and the West by an international faction is something we’ve seen in fiction all the way back to From Russia with Love, where SPECTRE plans to do the same.

And just like the Bond film, Alias portrays the international syndicate with Sloane planning a staged nuclear crisis, preceded by terror attacks.  Worth mentioning here in terms of post-dictive programming that recalls 9/11, the series finale subway bombing in Alias that aired in 2006 hints at the 7/7 subway bombings in London a year earlier, which bears all the signatures of a false flag event.

To top it all off, in blending the realms of fact and fiction I’ve highlighted so often, Jennifer Garner had a close connect to the CIA on set, afterwards being recruited by the CIA to be a kind of PR face.  In one article, we even read the CIA noting that Garner was a perfect image of a recruit, suggesting that the agency may have had much more to do with the show than appearances suggest.  Indeed, Garner’s former hubby, Ben Affleck has also mentioned the fact that Hollywood is “probably” full of CIA agents, according to the Guardian (ya think?).

Image from Garner's CIA recruitment video.

Image from Garner’s CIA recruitment video.

I’ve detailed this in the past, in regard to Angelina Jolie and the cast of the 2003 Al Pacino film, The Recruit.  Regular readers of JaysAnalysis will not be surprised by any of this, but for newcomers, the patterns in Alias are astounding, and Garner’s public relation to the CIA is a striking example of the entire thesis of this site – that fiction is a primary mode of revelation for the deep state’s real cloak and dagger operations.

All Seeing Eye of the Order of Rambaldi.

All Seeing Eye of the Order of Rambaldi.

12 Comments on The Astonishing Predictive Programming in ‘Alias’

  1. Michael Sean // January 21, 2015 at 8:09 am // Reply

    Nice article.
    I’m endlessly fascinated by the subject of the security services involvement in the business of entertainment. In fact I’m fascinated by that utterly bizarre, morally bankrupt, and seemingly tawdry world, full stop.
    Tom Secker has done some excellent work in this area. Also his Secrets, Spies, and 7/7 is well worth checking out also. It offers some well researched and thoughtout counterpoints to the masses of disinformation, and drivel that flooded the arena after the event.

  2. Good article. The 7/7 bombings happened in ’05.

  3. Dear Jay,
    To tell stories it is not necessary to be under MKULTRA mind control. All “Hollywood” is run the U.S. Intelligence Community. If you mention “Alias”, then mention “Covert Affairs”, too! Jennifer Garner = Piper Perabo, literally! Look at the “producers” and compare “J. J. Abrams” (“Alias”) and “Matt Corman” (“Covert Affairs”,) Watch “Covert Affairs” having in mind that it “received as much help” from the CIA as “Alias.” Usually, one person impersonates several “actors” or “actresses.” The efficient use of makeup, wigs, costumes, set design, lightning and lenses creates wonders. Naturally, skilled actors contribute to the effect. The same way the stock market is rigged the media (news, entertainment) is rigged. The situation is very simple: a group controls the markets and the media and keeps its position of power by feeding the imagination of all the other people… 😀

    http://perucine.blogspot.com/2014/10/piper-perabo-jennifer-garner-rachel.html
    http://perucine.blogspot.com/2014/11/j-j-abrams-matt-corman-us-intelligence.html

    • I wasnt claiming Garner herself was under mind control, rather that the show reveals quite a bit.

      • OK! I agree with you, Jay. You weren’t claiming “Garner” herself was under mind control, rather that the show reveals quite a bit.
        It is possible that there was research about “mind control” and that there are documents about it.
        I would suggest that the topic is a distraction, like “The UFO/Alien Scam” ( jay008 / December 15, 2014.)
        From what I see, these shows tell self-aggrandizing stories, modern fables, to justify how the social life is organized and to please the personnel in charge of keeping our minds obfuscated.
        The “revelations” don’t change how the society is organized. It is more propaganda to maintain the system going on…

        Ladislas Farago wrote in “Spymaster” (Original Title: War of Wits: The Anatomy of Espionage and Intelligence) [Warner Paperback Library Edition, third printing. September 1972] pages, 114, 115:

        “Sir (later Lord) Robert Vansittart was often described as a former chief of Britain’s top-echelon secret service, one of those glamorous and briliant “chiefs” we have met before. He regarded it as a part of his job to educate the greatest possible number of people to the intricacies of intelligence work. He used a pseudonym in writing spy fiction and also the scenario of a motion picture dealing with the adventures of certain spies. Motion-picture firms are encouraged by Britain’s highest intelligence authorities to prepare such movies as will serve to help familiarize the public with one of their most essential government agencies.
        If such a policy exits in the United States, of if anything is being done to educate the people on this score, I am not aware of it. On the contrary, I think there is a deliberate effort to mask the secret service and keep it cloaked from the public view. (…)”

        Glamorizing the activity is a way of keeping morale high among the intelligence officers and the (prisoners/) population.

      • Indeed – youll find numerous articles here along those lines. Great quote

  4. Reblogged this on heather512 and commented:
    Interesting take on a show I used to watch.

  5. Algorithm of Consciousness // January 26, 2015 at 6:23 am // Reply

    Aside from the CIA, we should remember that Hollywood is just a few miles east of the RAND Corporation in Santa Monica, with its extensive ties to the military-industrial complex, which no doubt, has had a profound influence on Hollywood.

    It’s all part of the telegraphic of intentions of the oligarchs and hidden factions that run the key operations behind the curtain.

    Great work.

  6. That is very interesting!

    I. The U.S. Intelligence Community
    http://www.intelligence.gov/mission/member-agencies.html

    II. The Liaison Offices: Hollywood and the U.S. Intelligence Community

    1) U.S. Department of Defense
    http://www.defense.gov/faq/pis/pc12film.aspx

    2) U.S. Air Force
    http://www.airforcehollywood.af.mil/portfolio/index.asp

    3) U.S. Army
    http://www.army.mil/info/institution/publicAffairs/ocpa-west/faq.html
    http://www.facebook.com/USArmyEntertainmentOffice

    4) U.S. Navy
    http://www.facebook.com/NAVINFOWEST
    https://www.chinfo.navy.mil/navinfo/navinfowest.html

    5) U.S. Marine Corps
    http://www.marines.mil/unit/divpa/lapa/Pages/default.aspx
    http://www.hqmc.marines.mil/divpa/Units/LosAngelesPublicAffairs.aspx

    production request support form:
    http://webcache.googleusercontent.com/search?q=cache:z_nNA-BTDCYJ:lapao.wikispaces.com/file/view/Production%2BSupport%2BRequest%2BForm_20100908.doc+&cd=3&hl=en&ct=clnk&gl=pe
    http://lapao.wikispaces.com/file/view/Production+Support+Request+Form_20100908.doc

    6) U.S. Coast Guard
    http://www.uscg.mil/hq/cg092/mopic/FAQ.asp
    http://coastguard.dodlive.mil/2010/08/mopic/

    7) Federal Bureau of Investigation
    http://www.fbi.gov/news/stories/2008/october/a-guide-for-writers-authors-and-producers/
    https://www.fbijobs.gov/311178.asp
    http://www.fbi.gov/news/stories/2008/october/writers_100608

    8) Central Intelligence Agency
    https://www.cia.gov/offices-of-cia/public-affairs/entertainment-industry-liaison/index.html

    9) Department of Homeland Security
    http://www.dhs.gov/xlibrary/assets/foia/mgmt_directive_2231_participation_of_the_department_of_homeland_security_with_film_and_television_productions.pdf

    III) Thesis

    1) STRANGE BEDFELLOWS: COOPERATION BETWEEN HOLLYWOOD AND THE PENTAGON. By Olga Zhakova. (July 15, 2011)
    http://preserve.lehigh.edu/cgi/viewcontent.cgi?article=2328&context=etd

    2) THE DEVELOPMENT OF HOLLYWOOD’S RELATIONSHIP WITH THE MILITARY: A GUIDE FOR FILMMAKERS AND MILITARY ENTERTAINMENT LIAISON OFFICERS. By James Gregory. (December, 2008)
    http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/129466/rec/20

    3) WAR FILM: HISTORICAL PERSPECTIVE OR SIMPLE ENTERTAINMENT. By Clayton Odie Sheffield. [Fort Leavenworth, Kansas. 2001]
    http://www.dtic.mil/cgi-bin/GetTRDoc?Location=U2&doc=GetTRDoc.pdf&AD=ADA395813

    4) MOTION PICTURE EFFECTS ON PUBLIC UNDERSTANDING, RECRUITMENT AND RETENTION IN THE MILITARY: EXPLORING THE SITUATIONAL FACTORS OF INVOLVEMENT AND CELEBRITY INFLUENCE. By Donna Garrett Boltz. (1991)
    http://www.dtic.mil/dtic/tr/fulltext/u2/a236520.pdf

    IV) Three Scholarly Articles, two magazine articles and one scholar interview [Plus one scholarly article written by me in Spanish]

    1) ‘Dear Owen’: The CIA, Luigi Luraschi and Hollywood, 1953.
    By David N. Eldridge, University of Hull. (2000)

    2) GET SMART: A LOOK AT THE CURRENT RELATIONSHIP BETWEEN HOLLYWOOD AND THE CIA
    By Tricia Jenkins. (2009)

    3) How the Central Intelligence Agency works with Hollywood: An interview with Paul Barry, the CIA’s new Entertainment Industry Liaison.
    By Tricia Jenkins
    COLLEGE OF COMMUNICATION, TCU

    4) UNCLASIFIED SECRETS: THE CIA, SECRECY LAW, AND THE DANGEROUS RETHORIC OF AUTHENTICITY
    By Matthew Birkhold [May 2014]
    http://scholarship.law.berkeley.edu/cgi/viewcontent.cgi?article=1038&context=bjesl

    5) One Man In The Department Of Defense Controls All Of Hollywood’s Access To The Military. By Aly Weisman [March 5, 2012]
    http://www.businessinsider.com/phil-strub-controls-hollywoods-military-access-2014-3

    6) Bombers in Hollywood: The Price of Military Tech Assistance in Movies, By Abraham Riesman [May 22, 2012]
    http://motherboard.vice.com/blog/bombers-in-hollywood-the-price-of-military-cooperation-in-movies

    7) Hollywood y la Comunidad de Espionaje Estadounidense (Hollywood and the U.S. Intelligence Community)
    http://perucine.blogspot.com/2013/05/hollywood-y-la-comunidad-de-espionaje.html

    V) Documentaries and videos

    1) OPERATION HOLLYWOOD: HOW THE PENTAGON SHAPES AND CENSORS THE MOVIES.
    A film by Emilio Pacull (52:27)

    2) HOLLYWOOD AND THE PENTAGON: A DANGEROUS LIAISON.
    (37:48)

    3) MILITARY PERSONNEL IN TRANSFORMERS (PHILIP STRUB talking) (1:07)

    4) 1960s TV NATIONAL ANTHEM SUBLIMINAL MESSAGES (ENHANCED)

    1960s GOVERNMENT SUBLIMINAL NATIONAL ANTHEM VIDEO
    It’s THEY LIVE!

    VI) My own research projects:

    1) “MOVIES AND PSYWAR”
    http://perucine.blogspot.com/2012/01/academy-film-scholars-program-programa.html

    2) “HOLLYWOOD, PSYOP, 811 & HORUS”
    http://perucine.blogspot.com/2013/02/academy-film-scholars-program-2012.html

    3) “HOLLYWOOD AND PROJECT BLUE BEAM: PREDICTIVE PROGRAMMING, SUBLIMINALS, AND INFORMATION OPERATIONS”
    http://perucine.blogspot.com/2014/01/academy-film-scholars-program-2013.html

    4) SUBLIMINAL AIRPLANES IN “LETHAL WEAPON” (1987)
    http://perucine.blogspot.com/2011/01/richard-donner-youre-director-you.html

    5) In the following post there are pics of a conference about “HOLLYWOOD Y LA COMUNIDAD DE INTELIGENCIA ESTADOUNIDENSE” (HOLLYWOOD AND THE U.S. INTELLIGENCE COMMUNITY) that I gave at the University of San Marcos (Lima – Peru). At the end there is a selected bibliography that provides a political context on the subject:
    http://perucine.blogspot.com/2011/10/hollywood-y-la-comunidad-de.html

4 Trackbacks / Pingbacks

  1. The astonishing predictive programming in ‘Alias’ | Nobola
  2. Hollywood CIA – A Dark Cult Marriage Revealed | Jay's Analysis
  3. MIND GAMES: Hollywood CIA – A Dark Cult Marriage Revealed | RIELPOLITIK
  4. Hollywood and The CIA: A Dark Marriage Revealed | News For The Blind

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