Katy Perry’s ‘Illuminati’ and Engineered Modern Art – Jay Dyer

Homage to Blade Runner?

Homage to Blade Runner?

By: Jay Dyer

If you haven’t heard, Katy Perry told Rolling Stone she wants in!  The hallowed halls of the Illuminati elite are wide open for the rising stars, just fill out a form and sign on the dotted line…with blood! 

For most, the development of the arts is an organic, random process that just happens to occur, with the latest weirdo upping the ante and making a hefty profit for his “genius” work, usually involving some form of actual litter, feces, urine or corpses.  What the unknowing public and its masses of “artsy” trendy wanna-bes who inhabit metropolises and immerse themselves in this sordid arena are unable to fathom or grasp, is that the movement of art itself in the 20th and 21st centuries is engineered to take the track it has.  While the internet has exploded over the last few years with sites that maximize hits based on finding the “Illuminati” in every image of an eye, stone, dove or butt, most of these sites are not worth your time for serious analysis, as the mythology they promote about the “Illuminati” is inaccurate and ahistorical.  Ironically, as a form of revelation of the method, the meme of Illuminati symbolism has become a self-replicating style trend, where the iconography of pop culture has adopted pseudo-Illuminati symbology.

The engineering of art was a decision made by the Rockefeller Foundation workers, the Guggenheim family, the Frankfurt School working with British Fabians like Bertrand Russell, and the intelligence agencies like the CIA, which the Rockefellers were instrumental in establishing.  Concomitant with the rise of garbage “art” was the rise of feminism and its Rockefeller funding, as well, so they can be seen as connected movements, that culminate in the phony drug and sex “revolution” of the 1960s.  I have detailed this elsewhere, focusing on the Marxist elements behind the above movements, but it is crucial to see that the Marxists were merely one level of this social engineering, as the funding for these Marxists and Frankfurt School degenerates came from international capitalists and their close cousins, the Fabian Socialists.  Bertrand Russell and the Critical Theorists of Frankfurt openly stated how all of society would be reengineered, and a crucial aspect of that change involved the complete control of the arts.  In fact, the arts are one of the most powerful, important arms of the machine, as the arts have a much deeper, more powerful impact on the mass consciousness than any Marxist or socialist books ever could.

Ke$ha is not in the "Illuminati," she's a tool of entertainment oligarchs.

Ke$ha is not in the “Illuminati”

MOMA and its whole ethos are nothing but intentional subversion, and the clearest evidence of this isn’t even the numerous sources and documents, but one simple indicator – the lack of talent.  In the good olden days, artists could not make a living unless they actually learned their skill from a master.  Nowadays, actual skill is a joke, while the most successful “artists” are those that are the best at creating a character persona for themselves that concocts absurd stories about what deep meanings their piles of shit have.  I know from direct experience about this, because my ex girlfriend’s sister attended one of the most prestigious schools in the nation, obtaining her master’s in “fine art.”  Her “art” consisted of huge vaginas and wombs that you could walk into, where the inside was covered in hundreds of nails.  The meaning of all this colossal waste of time and effort? I’ll give you one guess. You got it – female oppression!   I recall meeting her thesis advisor too, one night at a dinner at her place.  As is usually my fashion, I pounced onto subjects considered socially taboo by this ridiculous crowd – meaning in art, objectivity in aesthetics, and other fantastical topics sure to get you uninvited to these gala events.  The result?  After an hour of inquisitorial questioning, the instructor was so offended she threatened to leave her own dinner.  I must admit, I do at times enjoy ruffling the burlap panties these creatures don.

Ke$sha’s occultic “Die Young”

And so popular art has dissolved into nothing more than rehashed versions of the crap from two decades ago.  Nihilistic hipsterism becomes a parody of itself, functioning like a self-replicating cookie cutter advertisement for the next product of lesser caliber.  With meaning adrift, advertising is synonymous with both art and parody.   Because this was engineered from the era of Bernays on, you see the eventual merging of the couple minute ad into the couple minute song.  The song and its video are an ad for itself, and the next meaningless carbon copy reflection that will come, fresh out of the digital press.  It’s as if you are in a Mall, Wal-Mart or Target everywhere you go, including when you’re watching a music video.  And the same goes for film, as Hollywood has given up on all creativity, opting instead for the infinite replicator machine.  The reason for all this is beyond the mere “making of money,” which is a crucial factor.

Rehash of rehash. Patrick Nagel meets MOMa.

Rehash of rehash. Patrick Nagel meets MOMa.

No, the oligarchs already own the Federal Reserve printing presses and digital flash trade computers.  Instead, the goal has been the Fabian model of gradual social engineering to destroy aesthetics.  However, the killing of aesthetics comes at a price, as the artist becomes instead the moronic fool who is the best at being weird.  The source for this misplaced belief lies in the assumption that inspiration and the arts themselves are only about emotion.  The dumbing down of the populace at large through mass media and mass drugging has had the cumulative effect of creating the most programmed slaves amongst the circles of creative.

It is entirely possible that many of these proles would have been talented artists, but we’ll never know, as the apotheosis of the weird came at the price of talent.  The social engineers and technocrats have known this all along, and willed instead to annihilate these armies of drones with their own field of focus – a masterful Sun Tzu-style move.  Because the arts are associated with emotion, it was easy to alter this crowd into submission by eradicating reason from the arts, and equating art with pure passion and emotion, devoid of any objectivity.  Whatever one thinks of Ayn Rand, her Romantic Manifesto made this point brilliantly in regard the degeneration of the arts.  Another indicator of the social engineering aspect of all this – to be accepted into this idiot crowd, you must be pro-feminist and pro-gay, and oppose objectivity.

Gaga's Crowleyan-ish concert imagery.

Gaga’s Crowleyan-ish concert imagery.

At the point of self-annihilation, the only path left for the art of modern man is the vile, and from the vile, the fetishization and worship of death.  Man reduced to pure passion, giving free rein to and worship of feminism in art, ends in death.  This is not to say men aren’t degenerate, untalented artists, but rather that the rise of the feminine in the arts is also correlated to the rise of death art.   I don’t blame individual women for this, but rather the establishment oligarchs who are corrupt beyond belief, who insist on foisting on everyone else their fixations with death and the vile.

Death really is the overarching concept by which to classify all this, as the same oligarchy that wants to kill the earth’s population down 500 million is the same oligarchy that promotes death art.  What a telling example of this we see in the sooooo avant-garde vomiting chick.   What a revealing image! Her performance art itself exemplifies her subconscious reaction to what she does and what she is about – a war with herself, with art and meaning.  I’m reminded of the excellent Italian film La Grande Bellezza (2013) that chronicles the decline and decadence of Italy, particularly in regard to the scenes with the Soviet performance artist and the hilarious young girl who creates the “screaming art” at the party.

You go girl!

You go girl!

So when these tools of the industry talk about joining and being in the “Illuminati,” it’s more of a joke than it is actually running the globe.  In one sense they are members, insofar as they serve the oligarchies wishes.  Their own art pictures them as mind-controlled slaves and tools, not real witches or geo-political masters.  Much closer to reality, these stars are tossed about by various fads and cults which appeal to the eccentric, so when Katy Perry says she wants to join the Illuminati, she means some Hollywood sex cult, much like what Peaches Geldoff found herself inShe’s not joining an ancient order of Masonic deists from the Enlightenment.

How much do you think Voltaire and Katy Perry have in common, really?  However, the Eyes Wide Shut-style sex magick cults are very real, and do have influence, but to think this is somehow linked to the rationalist Jacobins is a stretch.  Satanism and witchcraft have been around for a long time, and there are elite families involved, but the top of the pyramid is run by technocratic socialists (the brains) and the top families (the bloods) who laugh at these goofballs, who have neither blood nor brain.  Katy is saying, yeah, I’m up for some sex magick.  The “Illuminati” oligarchs running things see all this obvious garbage merely as a weapon, nothing more.  I will give Katy props for her improve skills, though.

See also Dave McGowan on Covert Ops and The Hippie Dream detailing the intelligence connections to revolutionary art.

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JaysAnalysis has grown to become one of the premier film and philosophy sites on the net, showcasing the talents of Jay Dyer, whose graduate work focused on the interplay of film, geopolitics, espionage and psychological warfare.  Jay is a public speaker, lecturer, comedian and author of the popular title Esoteric Hollywood: Sex, Cults and Symbols in Film, which made it to Amazon’s No. 1 spot in its first month of release in the Film and Hollywood Category:


Known for his in-depth commentary, satire and celebrity impressions, Jay is the host of the JaysAnalysis Podcast and Esoteric Hollywood. He is also a regular contributor to 21stCenturyWire, Soul of the East and the Espionage History Archive, as well as appearing on numerous nationally syndicated radio shows, such as Ground Zero and Coast to Coast AM, as well as TV shows like Buzzsaw with Sean Stone. 

Broaching subjects as wide as satire, metaphysics, film analysis, theology, geopolitics, literature and history, as well as interviewing numerous prominent figures, Jay is academically published in peer review and has authored hundreds of articles already read by millions in just the past few years.  Jay Dyer has also co-created, written, and co-starred with Jay Weidner in a new television series titled Hollywood Decoded for Gaia based on his unique approach to film.

15 Comments on Katy Perry’s ‘Illuminati’ and Engineered Modern Art – Jay Dyer

  1. With each and every article, Jay, your writing becomes more eloquent and your style more poignant. After having gone through each and every one of your written articles from the archives (yup, all the way back to March 2010), to say that I’ve learned much is a gross understatement and even a misleading compliment. No, I haven’t simply “learned a lot”…. I have been spurred on to think thoughts and ponder philosophies that I would have never thought about before. These “train tracks” that lead to different destinations of deep thought would have never been traveled in my mind were it not for your work. To say I “learned a lot” is like thanking a tour guide for explaining to me the history of, say, the grand canyon — something i have at least a degree of familiarity with. No, the effect of your work is more akin to Plato’s allegory of the cave, where I feel as if I’ve seen new colors and heard new sounds — concepts impossible to fathom until it occurs.
    I encourage anyone who is new to this site to give it a chance and let JaysAnalysis lend its comprehensive insight to your thinking.
    I also exhort any long-time fans of this site to buck-up and subscribe! The perception you’ve gained from Jay’s work is unparalleled, and deserves five bucks a month, and you know it.
    Thanks again Jay, and as always, keep it up.

  2. ha, love the dinner party story…we’ve all been there…and been thrown out of there…

  3. Jay, I send articles (1000s) I read to Alan Watt of cuttingthroughthematrix.com fame (one of the smartest blokes alive) and only once has he specifically singled out an article and thanked me for sending it…it was one of yours (about Mulholland Drive). He never stated why but I did reread it quite a few times and did buy Michael Hoffman’s book Secret Societies and Psychological Warfare. I may never figure out what he saw in it but that book was definitely worth buying. You’re articles are exceptional and keep up the great work.

  4. I don’t know, Bub. Hieronymus Bosch was doing his thing nearly 300 years before anyone put Reason on a throne or smeared merde on a church wall. Interesting read, but some bullshit. On the down low, Banksy is an MI5 agent.

  5. Bravo.
    So true about the feminist art thing. I feel those artists are making women in general look crazy. If you really want to fight Western female oppression and misogyny (western, because the real fighters of global female oppression are not artists), then stop dressing sexual in music videos, stop participating in pornographic films, stop playing in the Ladies Football league, stop doing those silly disgusting beauty pageants, stop making us look BAD and give the men a reason to misogynize us.
    The music today is such crap it makes the throw up artist appeasing.

  6. Jay done did write:

    “……No, the oligarchs already own the Federal Reserve printing presses and digital flash trade computers. Instead, the goal has been the Fabian model of gradual social engineering to destroy aesthetics. However, the killing of aesthetics comes at a price, as the artist becomes instead the moronic fool who is the best at being weird.,,,,,”

    That sums it up perfectly Jay.

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