To combine will and action in harmony with intended purpose in the service of God in symbolic act is meaning, and thus all of life becomes a liturgical ritual. Most ancient religious traditions have some notion of this. Thus the standard exposition most “conspiracy theorists” and/or critics give is done at the most basic level of plot, interpretation of meaning, technical achievements, and possible “Illuminist” symbols. While there is a place for all of that, none of them understand the principle of the film itself, including the actors and their own experiences, the set, the script, etc., all coming together at a certain time, with a certain zeitgeist behind it. A couple good books on this I would recommend would be Mircea Eliade’s The Sacred and the Profane, Abraham Heschel’s The Sabbath, and any basic introduction to liturgy. Such a radical alteration of perception is only achieved by investigation into, and participation in, liturgy. Those who have experienced this will understand, and those who haven’t will not. But regardless, films are themselves a kind of ritual ‘working,’ and whether the 99% of the critics out there acknowledge or know this is irrelevant: it is true.”
“Bane refers to himself as “necessary evil,” and as the harbinger of a “new form of western civilization.” This is no mere film, but a powerful working intended to signal coming events—look for a monetary attack and a terror attack intended to bring down western civilization by radical communists influenced by the eastern doctrines of total relativism. While this film has suddenly been given a lot of bad press, the film is anti-communist. It does not portray Bane as a good guy, even though the audience is supposed to sympathize with him. It could be that the film is trying to portray patriots as evil as some have said, but Bane is an all-out, clear-cut radical Jacobin. Bane is not a Ron Paul style capitalist: He is the antithesis of capitalism and Bruce Wayne. One of the corporate heads who gets killed is Mr. Fox – as in Fox News. Bane brings to mind Rousseau, in that he constantly claims his revolution is “for the people,” and which amounts to a dictatorship of the proletariat. It is also worth noting that the police are turned against the people. Ironically, this is precisely the method that will be used to divide and conquer the U.S. However, Bane’s revolution fails, as do all communist revolutionaries. Bruce Wayne, the John Galt character, triumphs. The radical red revolution is crushed: as it should be.”
December 22, 2012, I wrote about the process and technique of aesthetic terror and its purpose:
“Terrorism, then, is a specific type of psychological warfare that creates an atmosphere of fear and panic that can strike anywhere, anytime. Hardly anyone seems keen enough to realize that the school and theater shootings are school shootings for a reason: the targeting of the most vulnerable of the population, kids. This latest shooting was a strike at the youngest and most vulnerable, kindergarteners. The psychological effect of killing young children is something that strikes directly at the most sensitive aspects of the psyche: following the shooting, many parents nationwide refrained from allowing their kids to attend the government brainwashing centers for fear of copycats. In so doing, the terrorism had achieved its desired effect, the instigation of fear and panic to control the masses. Precisely because the masses do not have critical thinking skills and don’t (and never will) understand psy ops and the real use of terror, it is generally successful in creating a desired mindset in the target audience.
To take this to another level, the history of terrorism in psychological warfare is the attempt of a smaller, guerilla force attempting to strike at a larger, establishment force or state. Red terror was successful in overthrowing the Czar in Russia, for example, and Lenin was famous for the promotion of his own state-run terrorism. The patterns of Red terror, however, have a much more ancient pedigree in the history of warfare and psy ops, all the way back to ancient times…. In fingering the culprits of a mass shooting that is done for the purpose of psychological warfare, one must look at who has the motive for such an event, as well as who has the fingerprint pattern of previous workings, examining the clues and patterns that emerge as evidence comes forward over time.”
The scripting was in, and the events were planned, but to what end? The short-term goal is the implementation of more TSA and police state controls with the precedent for martial law for any instance–even the trail of one killer. It should also be noted that in the Family Guy, Peter (the father) destroys the Golden Gate Bridge. Jays Analysis is on record predicting a possible attack on the Golden Gate Bridge due to the common pattern in pop culture that mimics previous examples of large-scale events.
The dates of these events are also relevant, pointing to a connection to numerology and other events. CBS Miami has even reported on this pattern, but most analysts will see nothing more than a coincidence, but most analysts are unaware of numerology and symbology. CBS Miami reports on the timing as associated with the Virginia Tech shooting, the Bay of Pigs, the Beirut bombing, Waco and even Hitler’s Birthday. I have said that May 1, 2013 is also relevant, given the bin Laden hoax and International Communism Day (May Day). In fact, expect more events as we approach May 1. May 1 is also relevant here in regard to the communism we see in Bane, whose character is crucial to understanding this Jungian archetypal psy op being foisted upon the ignorant sheeple who will beg for a police state to protect them in their slave pens.
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