Bourne Legacy and Total Recall – Rise of the Transgenic Supersoldier

There was never just one because MKULTRA and the transgenic programs were merged into the supersoldier program, ultimately with the goal of immortality, the philosopher’s stone. Renner’s character’s psyche is fractured like Farrell’s below.

B y: Jay

I’m including both Bourne Legacy and Total Recall in the same analysis because both were released around the same time and both contain similar themes.  Of course both are from books, and both are packed with the esoteric, despite both receiving mediocre reviews.  I enjoyed both tremendously, and Bourne Legacy was especially packed with espionage and semiotic dissembling.  Both deal with agents being run by all-encompassing systems that control reality almost en toto.   In Bourne Legacy, we are introduced to the latest (public info) on nanotech and bio-engineering–particularly the attempt to create a supersoldier.   We have thus passed the realm of mere MKULTRA mind-controlled assassins.  We have now passed into the realm of geo-engineered nano-soldiers that have their minds wiped of the past, and are reprogrammed to do the bidding of the geo-political chess masters who handle them.

For Bourne, the plot revolves around the need to take a certain pill to stabilize the effects of altered DNA.  I have, in many instances, engaged in debates with people who deny the existence of any such nano-tech DNA manipulation and in particular, race-specific bio-weapons that have been written about for decades, including recent publications in medical journals, the Sunshine Project, the PNAC, as well as other citations given several times on this blog.  Here is a DARPA video from 1997 that includes an illustration of unconventional pathogen measures designed to destroy the viral DNA.   If the DNA of a virus can be attacked, then the DNA of humans can, as well, and in particular the DNA of certain races.  While this may not be “PC,” since most people deny that there even are races, the shadow establishment marches on already light-years ahead of the multi-kulti moron public engineering all manner of variations in underground labs and level 4 bio-weapons factories. I want to again stress that this video is from 1997.

The pill-taking soldier is a thing of the past with the rise of bio-engineering.  Transhumanism will come to replace the older temporary modifications, as men merge with machines.  Billions of dollars of the black budget are spent on this research from MIT and other secret sites.  The transhumanist goal of course being immortality, a version of the philosopher’s stone, while the more immediate goals are advanced unconventional warfare techniques.    I recall first viewing the later seasons of the X-Files that dealt with the supersoldiers and thinking they were absurd, yet clearly the revelation of the method there was also accurate–there are supersoldiers, functioning as a kind of hybrid between the MKULTRA programs and nanotechnology.  Just this week the New Scientist posted an article on synthetic cyborg tissue.   The article states:

“They beat like real heart cells, but the rat cardiomyocytes in a dish at Harvard University are different in one crucial way. Snaking through them are wires and transistors that spy on each cell’s electrical impulses. In future, the wires might control their behaviour too.”

Read more of this post

Blade Runner: Indepth Esoteric Analysis

German Film Poster

Highest Levels of Illuminism Revealed

By: Jay

In Ridley Scott’s Blade Runner, we are presented with a prescient, dystopian future based on Phillip K. Dick’s novella, “Do Android’s Dream of Electric Sheep?” We will see that this film is full of not only accurate predictions of the future’s general landscape, but is also suffused with occult imagery and deep symbolic themes, as well as raising crucial moral and social issues.  As I will argue, the film operates on several levels: as the immediate story itself, the predictive future level with social critiques, the level of covert operations and mind control, and the deepest level, that of myths, archetypes, and alchemical occult initiatory transformation.  All these levels must be integrated to grasp the full import of the film as Ridley Scott conveys it.  The deepest level is what holds the other levels together in coherence and meaning.

As the film begins, the viewer is shown the 2020 landscape of Los Angeles, and then an eye viewing the landscape.  The eye represents the viewer, and just as I explained in my analysis of Eyes Wide Shut, the viewing of the film itself will constitute an initiatory experience.  The viewer is going to be shown the elite plan, yet the eyes of most will remain shut.  For the masses, there is no ability to make deeper level connections and associations between ideas, symbols and archetypes.  For the viewer who has eyes to see, they are seeing the future itself, as well as the worldview of the ruling class.  In fact, Blade Runner ranks with Eyes Wide Shut as one of the most explicit revelations of the method of the ruling oligarchs.  My interpretation of this is confirmed by the fact that the film doesn’t show us whose eye we see.  In fact, the reflection in the eye shows the scene the viewer just saw of the L.A. cityscape.

It is significant that we are presented with two shots of the eye and then the cut to the Tyrell corporation’s ziggurat/pyramid shape. Immediately we are presented with Egyptian symbology, as well as the notions of the so-called “Illuminati.” The all-seeing eye is flashed in between images of the exalted pyramid in order to initiate the viewer into who is running things.  This is the connection of imagery and meaning that most are not able to make. 

We are given hints as well that perhaps this is an ancient technology of dominance – the “technology of the gods.” In reality, the technology of the gods meme refers to the elite perspective of themselves and their “magickal” worldview: Any sufficiently advanced technology is indistinguishable from magic, as Arthur C. Clarke’s third law says.  The “god” is the one who controls the genetic engineering and artificial intelligence.  The cap of the pyramid is empty because the head of the system is secret.  It’s a shadow corporate government, where the eye floats above the pyramid itself.  The eye is thus above and transcends the externalization of the hierarchy on earth. 

Original DARPA “TIA” logo, echoing the Tyrell Corporation.

When the viewer approaches the pyramid in the open scene, it is engulfed in golden sunlight, conjuring up notions of Ra and Egypt.  The mysteries of Egypt center around the godlike philosopher king (Pharoah), as the material manifestation of Atum Ra, mirroring the spiritual hierarchy on the spiritual plane.  In this dystopian future, the Egyptian scheme is replaced by a corporate system.  The light is enlightening the viewer, taking him along for the ride in the flying car to the top of the pyramid.  In other words, for those that can see, you are about to see what they see. Read more of this post

Secrets of Prometheus Revealed

Hanna (2011) – Jay’s Film Analysis

"Adapt or Die"

 By: Jay

Hanna is an awesome film. As a story and entertainment, it is top notch. However, as the message goes I have some stuff to bitch about (as usual), and this time it’s not really gnosticism. Well, it is a little bit, but not primarily. Hanna is the story of a young girl who is mysteriously unaware of her origins (played by Saoirse Ronan), raised by her father in an utterly secluded cabin in Finland. Her father gives her intelligence agent training, while simultaneously keeping her from all modern luxuries. Hanna is thus a trained hunter and assassin. From the trailer, we see that it will be a take on a fairy tale, and that is what will develop. One of the few things she reads in her cabin, along with the Encyclopedia, is Grimm’s Fairy Tales, which comes up as a subtle sub-theme throughout the narrative.

Initially, she fixates on the Cinderella story, which is a story of mythical transformation—precisely what the film is about. Something like A.I. meets Run Lola Run, Hanna is about the future generation. Since we have descended into a post-post-modern nihilism, all that is left is the return to myth. The Enlightenment scientism has been discovered to be another form of mythology that, while producing interesting artifacts, is unable to quantify and calculate the sum totality of man’s existence into a materialist, pragmatist framework. Thus, what happens in this stage of cultural devolution is that man’s nihilism returns to myth as a larger narrative structure for life. Hanna, as the film makes clear, is the genetically altered future, which the scientific establishment will attempt to control, but which, in fact, cannot be controlled.


Once upon a time….

After a long journey of self-discovery and rugged survivalism, Hanna has interfaced with modernity and found it absurd and empty. Ironically, being raised in a completely sheltered environment, she is simultaneously “from the forest” (as girls often are in fairy tales) and the next level in human development as a result of science. Hanna represents the establishment’s attempt at a totally controlled and engineered human godchild—the stuff of myth and legend. The great voyage of discovery is that she herself is abnormal because she is superior. She is a genius who has had “empathy” bred out of her, though she displays empathy in certain cases. Read more of this post

Jays Analysis – LSD, Gnostics, Jung and Corporate Counter Culture

Scientists Gone Wild – Transhumanism

TechnoCalyps – TransHuman, pt. I - a documentary.

We shall be as gods! (psyke!)  Some of this is really amusing. Especially where the brain cells are placed on microchips to meld man and robot. We have been warned about blending species and kinds:

9 “You shall not sow your vineyard with different kinds of seed, lest the yield of the seed which you have sown and the fruit of your vineyard be defiled.
10 “You shall not plow with an ox and a donkey together.
11 “You shall not wear a garment of different sorts, such as wool and linen mixed together.”

-Deut. 22

19 ‘You shall keep My statutes. You shall not let your livestock breed with another kind. You shall not sow your field with mixed seed. Nor shall a garment of mixed linen and wool come upon you.

-Lev. 19

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