By: Jay Dyer Possibly no domain of culture is more openly degenerate and hellish than modern “fashion,” and when Disney presents a film on the “fashion” industry (which I have...

 We had the great opportunity to meet up with and interview Jay while he was here in Nashville. We got to speak to Jay a little bit about his...

Jamie Hanshaw joins me to discuss B movies that actually have a meaning and a message – often not what you expect. In this slaptastic conversation, we cover: The Stuff,...

By: Jay Dyer So far we have only analyzed one Hitchcock film, Vertigo (1958), where we highlighted the use of mind control, doubling and voyeurism on the part of a...

By: Jay Dyer Taking it’s place as one of the highest grossing films of all time, the mythmakers of modernity at Marvel gave the world a fairly immense dose of...

By: Jay Dyer The Pledge For most viewers, The Prestige was a film about rival stage magicians in the Victorian Era, alternately seeking to top one another in the dank climate of...

“‘I learned that just beneath the surface there’s another world, and still different worlds as you dig deeper.’ – David Lynch By: Jay Dyer The Academy Award-nominated 2001 work of...

By: Jay The new Captain America film is heavily laced with either revelation of the method programming, or genuine artistic rebellion against the corrupt, globalist establishment.  The plot is one...

By: Jay Dyer Now You See Me is, on one level, a silly, contrived film about a group of magicians invited to be part of a large-scale heist and con operation. ...