World War III Scenarios: Africom, Colorado, Nukes and Underground Bases

January 20, 2013 10 Comments

Underground bases have nothing to do with aliens, and everything to do with nuclear strikes.

Underground bases have nothing to do with aliens, and everything to do with nuclear strikes.

By: Jay

The Anglo-American establishment sought to create a world government with the engineered World War I through the problem-reaction-solution Hegelian dialectic of the League of Nations, which ultimately failed.  Following that war, a second was engineered with the fascists and communists both receiving funding from Wall Street and other elite combines for the purpose of allowing a real enemy to run amok.  This is why the Rockefeller Foundation, Ford Foundations, Carnegie Endowment, JP Morgan and others are on record having funded communism and fascism, as Dr. Carroll Quigley notes at length in Tragedy and Hope.  Keep in mind as well, Tragedy and Hope is not a conspiracy text, but a chronicle of the Anglo establishment writing about his investigations of the Western establishment’s own documents.

The most amazing aspect of Quigley’s book is the admission of the Western elite’s funding of socialism and fascism for the purpose of controlled, although real, conflict.  The wars are engineered because war is a racket.  While adept researchers are aware of all this, the question remains, “What is being planned in the next few decades?”  Is it appropriate to speculate about the underground bases, military build ups, surveillance state, secret tech, drug trade, proxy wars, staged terror events, expansionism, and Russian/Chinese/Anglo strategies?  What is the longterm endgame here?

Clearly the Anglo establishment is intent upon their new world order, and are funding and welcoming these conflicts with the intention of a new world war which has the advantage of distracting from economic woes, rallying the masses around phony patriotism and propaganda, and the need for a global military and economic authority to police the regional conflicts that will arise due to the planned integration of the continental unions.  As I have written before, the Eurasian Union, the American Unions, and the African Union will function as the economic and authoritarian centers for the shadow government that is already in place in the West.  For this to emerge, the right crises are necessary to bring about the central military and economic planning bureaus that will enforce a global socialism, modelled after the Fabian socialists of England.  This is precisely what the EU already is, and is what the EU-Russian merger will be, as well as the North American Union.  The justifications for these mergers is always “free trade,” regardless of the Marxist or socialist status of the member nations.

Analyst Joel Skousen makes the case that the coming conflict must be nuclear in order to do sufficient damage to western sites, as well as enticing Russia into a nuclear event that will end in Russia’s defeat.  Russia’s satellite states in South America, Africa and the Balkans must be enticed so as to allow for a global involvement, with the U.S. receiving a preemptive strike, and the retaliation being the annihilation of Russia with the West’s super high-tech space-based weapons.  It is a constant back-story news feature about Russian and Chinese spies stealing and being given western technology, Skousen argues, for Russia to be enticed.  When Russia takes the bait, the US will respond with the billions of dollars of black budget defense weaponry that we know exists, but don’t really know about.  Wired magazine, for example, ran this story:

“These secrets are different. Their names are obscured by code words, or simply listed as “classified programs.” But with a little digging, we can get a (limited) sense of how much money is being spent on the U.S. government’s most secret military projects. In fact, you can take a look for yourself. We’ve put together this spreadsheet with the latest information. Feel free to add, subtract and edit it — kind of like a classified cash wiki.

This year, the military’s black budget appears to be a little over $51 billion, down from the $56 billion which held steady for the last two years, not including inflation. The reductions are also not really a surprise considering the cuts happening nearly everywhere else.”

Concerning the expansions in Africa that we are now seeing, Wired projected in February of last year: Read more of this post

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The West, Russia, Eurasian Union and Esoterism

November 19, 2012 6 Comments

The Great Game: Britain’s Attempt to Keep Russia at Bay.

Related – See Russian/Chinese Geo-political Strategies Versus the West

By: Jay

There has always been a close relationship between secret societies and covert affairs.  Both are concerned with secret information, and both form societies of those “in the know.”  These relations are ancient, as the history of state affairs and the cultus of the polis often intersected.   Nieztsche wrote about the ascendancy of the cunning priestly power over the barbaric power of the warrior class, which then gave rise to what we call “morals.”  While that itself a unique form of conspiracy theory, what we call “conspiracy theory” is really just espionage or deep politics.  As long as there will be been court intrigues, the world’s second oldest profession will continue, and thus conspiracies will continue.

Traversing the modern geo-political sphere, one becomes aware of the conspiratorial toponymy very quickly.  I have often observed these deeper truths somewhat between the lines in standard geo-political works, yet clearly present nonetheless.  A presistent example of this kind of “between the lines” deeper truths and “buzzwords” can be found in the patterns that emerge in studies on espionage.  For example, mainstream researcher A of covert affairs will often refer to terrorists X being tracked by western intelligence prior to Y terror event.  Y event occurs, and other resaercher B will type up exposes of other details of the events that researcher A failed to mention.  Combining these two works with the mainline news analysis will then shed tremendous light on X event.    Yet it seems many within the system itself tasked with the job of analysis and monitoring of said events, don’t even do this, which I presume is a result of compartmentalization.  We will see an example of this below.

When analyzing Russia, for example, a host of positions arise, from the Neo-cons who feel Russia is a great danger together with the older cold warrior analysts who argue the communists simply went underground (and perestroika was a deception), to the more open approach of a “multi-polar” world and globalism.  The neo-cons, of course, have their own particular version of globalism, but the recent Obama victory could signal the ascendancy of the more internationally-minded leftists/socialists, exemplified in the European Union-style socialism that is now being implemented in California.  Having once lived in California years ago, in the U.S. it very evident that California is a test tube preparation for the rest of the country.

The multiculturalism and corporate-run “green” environmental tyranny are to be expanded, as Obama promises “carbon taxes” levied on the already overtaxed populace intent on completing the process of deindustrialization (the lesser Great Bear – California!).   This process is an extension of the older eugenics programs, which eventually allied with Socialism and communism.  Fascism’s racial population control has morphed into a top-down socialist/Fascist model where the Western elites have the upper hand, having installed the same agenda worldwide.  The talking heads on TV blab all day about “government spending” and “terror attacks” which all pale in comparison to the overall 25-50 year globalist goals.  The longterm goals are not centered around “free market capitalism”or “American Imperialism”  (like leftists foolishly think), but on global governance. Read more of this post

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Eyes Wide Shut (1999) – Esoteric Analysis

January 25, 2011 61 Comments

Mirror image film poster showing Nicole’s ‘open’ eye in the midst of sex: the characters’ inner pysches and problems are about to be mirrored in the ‘real’ world, as they realize they have been blind and ‘profane.’

By: Jay

Eyes Wide Shut is a film that failed to live to the expectations of many. It was supposed to be an edgy thriller that made statements about upper echelon decadence, while also utilizing the real world sex life of Tom Cruise and Nicole Kidman as a kind of doorway bridging the gap between reality and fantasy – something that does come up in other Kubrick films, such as 2001: A Space Odyssey.  In this Kubrick film, however, we have a statement about who runs the “show.”  The show is both the film itself, as well as reality, and Kubrick wants viewers to realize that reality is run by our present showmasters of the videodrome. The viewer is supposed to reflect upon the decadence of the Eastern elite establishment, but also notice that viewing the film itself is homage to present social hypocrisy, since the film is a wannabe voyeuristic step into the sex lives of others. In this regard, it functions as an initiation. None of the other analysts and commenters have really noticed this. Virtually every review I have read sees it as some elaborate “MKULTRA/Illuminati” mind control thing (as is supposedly everything on those sites), while other reviews from professors and academia see it as a social or psychological commentary.

I think it has elements of all this, but the real goal is, I believe, an initiation process. The viewer is at the film because he or she is curious about Hollywood secrets and elite lives. Think of all the silly gossip magazines we have.  The “average Joe” went to see the film for a glimpse of Nicole Kidman, and Kubrick wants the viewer to see the hypocrisy in such an action, given that most people will “judge” the film’s secret society cult. Eyes Wide Shut, then, is a descriptor of the audience, as well as the characters in the film, who don’t really understand the socio-political power base that runs things. The power base is not, according to Kubrick’s film, the average politician or wealthy doctor or lawyer in New York.  Indeed, this is precisely Kidman and Cruise’s characters’ status: they are unwitting inductees. Thus throughout the film, the viewers eyes are wide shut to the reality of the power structure, just as Kidman and Cruise’s characters are, until the end, when they have their eyes “opened,” as they both say at the end. Let us proceed.

The opening scene shows us Mrs. Harford (Nicole Kidman) between two pillars. This is the doorway to the initiation, in other words. The two pillars figure prominently in Freemasonry as the entranceway to the divine, as borrowed from Solomon’s temple:

Nicole stands between two pillars – Jachin and Boaz, setting the initiatory tone for the film.

The two pillars of Freemasonry borrowed from Solomon’s Temple, indicating the doorway to the “mysteries”

The viewer is being told from the beginning that they are to undergo an initiation into how the “mysteries” and the secret societies work, particularly from a sociological perspective.  The Harfords, we discover, are having marital troubles related to sexual frustrations. It is also significant that it is Christmas time, when the initiatory procedure takes place, as a kind of anti-traditional religious/anti-Christian statement. It is also important to remember that all details in a Kubrick film are significant – the placement of everything is meaningful and deliberate.

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Dark City (1998) – Esoteric Analysis

October 12, 2010 4 Comments

Director's Cut Poster Showing the Head "Stranger" or Architect

By: Jay

I hate to harp on the same old thing, but the same old thing always manifests in films, and deserves to be harped on. Often what is considered to groundbreaking and avant garde is really just the same old gnostic themes repackaged with different dressing. It seems that there is actually a lack of creativity when it comes to matters Hollywood. The Knowing was also reviewed here, an Alex Proyas film, but Dark City deserved a review as well, in my estimation, since it is particularly interesting in this regard.

Dark City presents a dream world, wherein a group of alien-like archons or angelic rulers/daemons known as the “Strangers” control manufactured city by “tuning” it every night, meaning the city is re-created and it’s rat-like inhabitants are implanted with new memories. They are able to conform physical reality by will alone (“tuning”), and one of their subjects, John Murdoch, eventually attains this ability. Immediately, we realize the basic theory of “magick” at work, which is the act of conforming reality to your will. However, the Strangers do it by telekenesis, and eventually so does John Murdoch.

“Dark City,” we discover, has perpetually been in a state of darkness – it is always night, and no one can recall when it was daytime. So we have the gnostic theme of demiurge(s) who have trapped a world in base darkness, where they lack their true godpowers.  We see in the beginning a movie theater where films are playing named ‘The Evil” and “Nightmare,” cluing us into the fact that we are watching a movie that is essentially a nightmare. We see a hotel in which John Murdoch, the protagonist awakes nude in a bathtub, apparently being framed for a murder. However, this night is different, as it is Murdoch’s “awakening,” and from this point on, as he is chased by certain “Strangers,” Murdoch is able to “tune,” but this power is not yet under his control.

A cop is put on his case, Detective Bumstead, who picks up where a former cop had been working who went mad. His madness turned out to be a form of intense paranoia linked to a realization that all their reality was an illusion, and that they were the experiment of gnostic daemons.  John decides he must find out about his origins, since he cannot recall his past, either. For him, this is a quest to find Shell Beach, where he grew up. The entire city is a circular spiral, it turns out, and Murdoch discovers Shell Beach did not exist, and that Dr. Schreber had been aiding the Strangers in implanting fake memories in people. Rather than interpreting this as some form of “Illuminati MKULTRA mind control programming,” which most “conspiracy” writers would do, what makes more sense is a cabalistic or Platonic notion of metempyschosis or transmigration of souls, wherein we must “remember” the state of deity from which we have come. Murdoch, Dr. Schreber tells him, has evolved to the point where  he can tune reality at will.  The reality in which they exist is like The Matrix, and is a giant machine that can be manipulated by telekenetic will. Similarities with the Matrix Trilogy will be apparent here. Read more of this post

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The Satanic Nature of Nazism

July 17, 2010 4 Comments

Image of Savitri Devi that Pretty Much Says it All

By: Jay

A couple of years ago, when I first began to look at race studies and “national socialism,” someone (I don’t recall who) argued to me that national socialism was not Teutonic paganism. This is a bunch of bull. It clearly is, and I intend to demonstrate that. What the movement also has is interesting connections with is Hinduism and gnosticism and can also be considered as a forerunner to the modern green movement. Yes, Nazism as a forerunner to the modern green movement. How is this? The key players in demonstrating this claim are Savitri Devi, Heinrich Himmler and other notables of the so-called “traditionalist studies,” such as Julius Evola, Ananda Coomaraswamy as well as the infamous God-hater and fraudster, Madame Blavatsky.

Just as I critiqued the notion of “perennial philosophy” that specifically rejects the biblical God who is in covenantal relationship with man, so these theorists also posit at times a “perennial religion.” What is this? Once again, it is the age-old pantheistic lie that “Nature” is God. You will notice in these writers that, having rejected a personal God, like with Guenon, his move was more gnostic in nature, become a Sufi Muslim. With someone like Savitri Devi, a huge promoter of the Nazi movement and well-known writer of the traditionalist school, Devi makes clear what the agenda is – a green, neo-pagan, polytheistic-that-blends-into-pantheistic mythos that looks to Hinduism and the myth of Aryan “godhood.” Thus the convergence of Devi and Heinrich Himmler’s fables. Devi makes this abundantly clear in this article, which is indisputable proof. Read more of this post

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2001: A Space Odyssey – Esoteric Analysis

June 11, 2010 7 Comments

By: Jay

The Stanley Kubrick film, 2001: A Space Odyssey was a visual and technical accomplishment, unparalleled at the time of its making. I recall watching it for the first time about 12 years ago in high school, and all that was apparent to me at the time was the concept of evolution towards an inevitable battle between man and machine.  I watched it again several years later, and noticed gnostic elements that James B. Jordan had alluded to. Having watched again recently, much more was apparent to me, and it’s meaning is, in my analysis, Satanic. If you know about Arthur C. Clarke and Kubrick’s other films, it becomes clear why this is so.

But to 2001.  In the first scene, we see an astronomical alignment, that, as I will seek to show, is ultimately of astrological import. Note that the sun is seen partially bright, and in the distance. And save yourself a lot of wasted time by avoiding the many youtube videos labelled “Kubrick” and “Illuminati,” which are shoddy, unstudied nonsense.

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Bowie’s “Labyrinth” – Esoteric Analysis, pt 3

April 16, 2010 9 Comments

By: Jay Dyer

Previously, we saw that Jareth had a kind of attraction towards Sarah, reminiscent of the angelic attraction towards the “daughters of men” of Genesis 6. Sarah entered this mystical realm of fantasy/psyche, seeking to figure things out. What she has so far found is that the world is not really as it seems, and doesn’t operate like an adolescent thinks. So, on one level, the Labyrinth is Sarah’s psyche, and at another level, it’s her interpretation of the world as she passes from youth to adulthood. This process itself is conceived of as an alchemical transformation, since the body itself “transforms” as it grows.

This is the reason for the continual emphasis on bodily functions. As Sarah leaves the fierys, she enters the Bog of Eternal Stench. The fascination of children with bodily functions in a Freudian sense need not be mentioned, but is clearly what is at work here. The world seems simultaneously gross and appealing to Sarah, as she enters puberty.  Sarah encounters Sir Didymus, the British fox. As with Sarah’s questioning by Hoggle for the right words to enter the Labyrinth, she is here asked by Sir Didymus for the right words to pass the bridge. This may have a masonic reference to it, as Masonry asks its “seekers” for passwords and the purported “lost name.” Read more of this post

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Bowie’s “Labyrinth” – Esoteric Analysis, pt. 2

April 16, 2010 1 Comment

By: Jay Dyer

In the first part, we saw that the Henson/Lucas/Bowie Labyrinth is itself a labyrinthine maze of Sarah’s psyche in a long journey towards something…But what? In part two we will see. We left off with Sarah entering the Labyrinth, an image of her subconscious (which is also an entry into the “spiritual” world, or other dimensions), and landing in a bizarre land of fairies, gnomes and other fantastical oddities.

Things are not as they seem – the fairies bite and the gnomes piss in the pools. This is interesting, because there is a bit of Freudianism at work here, where Sarah, in her subconscious, is immediately confronted with sexuality and bodily functions – a theme that will continue in the labyrinth.

We have already seen obelisks (images of the phallus), and Sarah is immediately confronted with bodily functions where Hoggle relieves himself in a pool as we see both obelisks and “pissing” at 4:53-5:06:

Again, this is all related to Sarah’s transition from childhood to puberty. And, bizarrely, as we move further into the “labyrinth” of sexuality, we will find some very graphic innuendos will begin to emerge in Sarah’s psyche. But before we get to that, one thing that is interesting to note is the film’s subtle racial views. Not that I so much mind speaking in terms of races and nations, but ironically, the pseudo-liberal, Kabbalistically-minded Lucas-Henson duo have no problem mocking Asians, various Europeans and blacks. Read more of this post

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Bowie’s “Labyrinth” – Esoteric Analysis, pt. 1

April 16, 2010 10 Comments

By: Jay Dyer

Dedicated to Ross!

It’s always fun to go back and watch the movies you grew up with. However, it can also be a disturbing experience, akin to finding out that uncle you had that was so cool was actually an alcoholic. This last week re-watched several movies that were favorites of mine from the 80s. I started with the Jim Henson/George Lucas production Labyrinth(1986), starring David Bowie and Jennifer Connelly.

Seemingly a harmless mish-mash of various fairy tales into one puppeteered hodgepodge, virtually all of my contemporaries are well familiar with this film which constitutes, as we say, the “essence of 80s.” But is it harmless fun, or is there something else going on?

In the story, Sarah (Jennifer Connelly) is a young girl who has yet to enter womanhood. Her parents are divorced, while her mother is a moderately popular actress we never meet. Sarah is obsessed with fantasies, and in the opening scene we see her in a park/garden, where she wears a pure white dress, emblematic of edenic purity, reciting lines from the book, The Labyrinth. But Sarah isn’t just standing in a garden/park, she is surrounded by Egyptian/masonic obelisks as seen here and in the video below.

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“Weird Science” – 80s Alchemy Based on Gnostic Myth

April 16, 2010 1 Comment

By: Peter Parker

Although the idea that Weird Science is rife with occult underpinnings might, at first, seem a ludicrous contention to some, on closer examination of the text numerous esoteric currents begin to emerge. The film and by extension the music video make use of numerous cultural artifacts that have their origin in the western occult tradition, whether the film/video makers themselves were fully aware of it or not.
Most people will immediately be able to identify Mary Shelley’s Frankenstein as one of the primary keys to fully appreciating the film. Anyone unfamiliar with Frankenstein will miss the central parody of the movie. Though the idea of Frankenstein can be reinterpreted as a critique of scientific or occult hubris, it is difficult to discern whether this was the intent of Mary Shelley herself. The novel’s protagonist Victor Frankenstein (based, to some degree on Mary’s husband Percy) starts out a vociferous reader of alchemical and occult authors, such as Agrippa and Paracelsus. After attending Ingolstadt University, birth place of the infamous Bavarian Illuminati, a fact that goes unmentioned in the novel, (serving, essentially as a wink to the knowing reader) Victor’s schoolmasters teach him that his occult heroes were full of unscientific hogwash. Despite this he swears to carry on the spirit of their great work using the tools of modern science. To this end he creates a golem out of expired human body parts, in what is a perverse imitation of both the creation and resurrection of Man. The story perfectly encapsulates the ethos of the Romantic Revolutionary, who rejected Christianity yet sought some manner of spiritual ground beyond Enlightenment Materialism.

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