Jay’s Analysis Featured with Richard Hoagland and Jordan Maxwell

March 27, 2013 1 Comment

I’ll be sitting in on a round table Skype discussion Thursday evening, 7 p.m. PT, with well-known veteran conspiracy researchers Richard Hoagland and Jordan Maxwell, whom you’ve probably heard on Coast to Coast or seen on The History Channel.  We’ll be discussing the new papacy, the background to the resignation of Benedict and the events I described in my article, as well as possible deeper, darker intents by the modern, controlled Vatican.  I assume the discussion will be uploaded to YouTube to be posted here soon thereafter.

pope-show-banner

See the Project Camelot link here for more details.

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The Master (2012) – Jay’s Analysis

September 22, 2012 7 Comments

The fractured, kaleidoscope poster portrays the fractured, disassociative nature of Freddie Quell’s psyche.

By: Jay

P.T. Anderson’s The Master is great, primarily as an artistic presentation of a very dark subject: the manipulation of mind control.  Not mind control in the mass psyche which this blog focuses on generally, but in the localized cult setting.  Loosely based on L. Ron Hubbard and Scientology, The Master  is an in-depth display of the tactics and techniques of manipulation, brainwashing and mind control, as the Hubbard-esque Lancaster Dodd (Philip Seymour Hoffman) plays the puppet strings with the fledgling cult.  Dodd’s focus in the story is the base vagrant Freddie Quell, who stumbles upon a yacht rented by Dodd and finds temporary work.   Interestingly, Hubbard himself possessed a similar yacht for a time, particularly during the heyday of his mountebank activities.

While most people have a vague idea of Scientology, most are unaware of Hubbard’s occult activities prior to creating Scientology.  Hubbard was involved in Crowleyanism for several years and “graduated” from his period of occult tutelage.  In effect, this meant that Hubbard had mastered the tools of manipulation and human psychology.   Hoffman plays Dodd brilliantly as a charismatic con-man (essential for any cult leader).  In this regard, what is lucidly portrayed are actual mind control techniques used by cults.

Principally, Dodd uses repetition of vague phrases, reaching into Quell’s subconscious to find the weaknesses in his psyche, as well as traumatic incidents involving war experiences, an absent father and sexual sins.  After bringing up these traumatic incidents, Dodd quickly elicits warm-fuzzies by appealing to Quell’s most pleasurable memories surrounding a youthful flame.  As the manipulation progresses, Quell is subject to a back and forth process of acceptance and rejection, where the individual is given a proxy family (the cult), and then fears exclusion and exile.   A pattern emerges, and the individual’s will is subject to mandated meaningless, repetitious actions (often under sensory deprivation), with the goal of disorienting the psyche, and attaching it to the welcoming father and mother archetypes (Dodd and his wife, played by Amy Adams).  Quell’s conditioning, termed in the film “processing,” is eerily reminiscent of trauma-based mind control.  In fact, the film is really about Dodd learning to become a charismatic, slimy master of human manipulation. Read more of this post

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Bourne Legacy and Total Recall – Rise of the Transgenic Supersoldier

August 31, 2012 1 Comment

There was never just one because MKULTRA and the transgenic programs were merged into the supersoldier program, ultimately with the goal of immortality, the philosopher’s stone. Renner’s character’s psyche is fractured like Farrell’s below.

B y: Jay

I’m including both Bourne Legacy and Total Recall in the same analysis because both were released around the same time and both contain similar themes.  Of course both are from books, and both are packed with the esoteric, despite both receiving mediocre reviews.  I enjoyed both tremendously, and Bourne Legacy was especially packed with espionage and semiotic dissembling.  Both deal with agents being run by all-encompassing systems that control reality almost en toto.   In Bourne Legacy, we are introduced to the latest (public info) on nanotech and bio-engineering–particularly the attempt to create a supersoldier.   We have thus passed the realm of mere MKULTRA mind-controlled assassins.  We have now passed into the realm of geo-engineered nano-soldiers that have their minds wiped of the past, and are reprogrammed to do the bidding of the geo-political chess masters who handle them.

For Bourne, the plot revolves around the need to take a certain pill to stabilize the effects of altered DNA.  I have, in many instances, engaged in debates with people who deny the existence of any such nano-tech DNA manipulation and in particular, race-specific bio-weapons that have been written about for decades, including recent publications in medical journals, the Sunshine Project, the PNAC, as well as other citations given several times on this blog.  Here is a DARPA video from 1997 that includes an illustration of unconventional pathogen measures designed to destroy the viral DNA.   If the DNA of a virus can be attacked, then the DNA of humans can, as well, and in particular the DNA of certain races.  While this may not be “PC,” since most people deny that there even are races, the shadow establishment marches on already light-years ahead of the multi-kulti moron public engineering all manner of variations in underground labs and level 4 bio-weapons factories. I want to again stress that this video is from 1997.

The pill-taking soldier is a thing of the past with the rise of bio-engineering.  Transhumanism will come to replace the older temporary modifications, as men merge with machines.  Billions of dollars of the black budget are spent on this research from MIT and other secret sites.  The transhumanist goal of course being immortality, a version of the philosopher’s stone, while the more immediate goals are advanced unconventional warfare techniques.    I recall first viewing the later seasons of the X-Files that dealt with the supersoldiers and thinking they were absurd, yet clearly the revelation of the method there was also accurate–there are supersoldiers, functioning as a kind of hybrid between the MKULTRA programs and nanotechnology.  Just this week the New Scientist posted an article on synthetic cyborg tissue.   The article states:

“They beat like real heart cells, but the rat cardiomyocytes in a dish at Harvard University are different in one crucial way. Snaking through them are wires and transistors that spy on each cell’s electrical impulses. In future, the wires might control their behaviour too.”

Read more of this post

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Raiders of the Lost Ark – Esoteric Analysis

July 27, 2012 Leave a comment

Original film poster.

By: Jay

There’s nothing more 80s than Steven Spielberg, and there’s nothing better 80s than Raiders of the Lost Ark.  Based on the oft-referenced classic film serials, Indiana Jones is a household name.  What is far from common knowledge are the profound religious and esoteric themes in the Indiana Jones films, particularly in Raiders.  Written by George Lucas and Lawrence Kasdan, and directed by Spielberg, Raiders demonstrates a carefully ordered, intriguing religious progression, evident to those well-read in esoterism and in this case, so-called “traditionalism” or the “perennial philosophy.”  In short, it’s much more layered than the basic-level adventure story presented, and I will demonstrate that below.

The film begins with the mountain image, prominent in Spielberg films, particularly Close Encounters of the Third Kind.  There, “Devil’s Tower” in Wyoming becomes the meeting point of the aliens/gods and mankind.  Biblically, the Law and prophets frequently mention the “high places” where the pagans and apostate Israelites would offer sacrifices to the “gods” or “demons.”  Textual examples.  This trend is consistent in many alien motifs, where the aliens are simply no different from the traditional religious ideas of the “gods.”  Spielberg especially has utilized this trend, as well as Lucas.  Indeed, Mt. Sinai itself is the meeting place of man and the God of the Bible, which will be of particular relevance for Raiders.  As a side note, Wired magazine reports that “Devil’s Mountain” also has relevance to the NSA as an old Cold War listening and surveillance post in Germany.

The Hovito Temple where Indy and Belloq haggle over the golden idol situates the viewer in the primitive superstitious world of polytheistic paganism.  The Hotivos are savages, and are used by Belloq to obtain the idol from Indy, who risked his life in the well-known trap sequence.  At view in the background is a golden sun with a skull.  From South America we fly to Indy’s classroom at the fictional Marshall College.  Army Intelligence arrives because Dr. Jones is an “occult expert,” and wants information on Hitler’s own fascination with the occult, and his search for the Ark of the Covenant.  Indy, we note, is a rationalist and pragmatist, and doesn’t believe in “hocus pocus” and mumbo jumbo, much like Han Solo dismissed the Force.  The Ark demonstrates the power of God, and Hitler believes that by controlling it, his army will be invincible.   There is some truth to this in terms of Hitler’s circles being into bizarre forms of occultism, as shown in the video.

From the university we fly to Nepal. Nepal is relevant because of the Nazi quest for the Great White Brotherhood of Madame Blavatsky and Himmler.  Indy is after Marion From Nepal, Indy and Marion fly to Cairo, where we will begin to be initiated into the mysteries of Egypt.  The progression has been from primitive animism to the ascended masters to Egypt, where the “Well of Souls” supposedly houses the Ark in Tanis.  The scenes in Cairo are of particular importance, particularly for the scene with the Sufi.  Sufism is Islamic mysticism, and so we have the mysteries of each religion leading Indy to the culmination of the perennial tradition in Judaism as its source.  This is a unique twist, since generally, traditionalist writers ascribe to Judaism a place of derivation—that Judaism’s mystical side is purely based on Platonism or Egyptian hermeticism or some other supposedly older tradition.  Here, Judaism is the true source.

The All-Seeing Eye emerges in the midst of the Star of David.

Indy meets with Belloq in Cairo, and Belloq tells Indy he is his “shadow” – the Jungian archetype of the inner dark side of the psyche that must be faced.  Indy could very easily be made to turn to the dark side, Belloq says.  However, Belloq, like Hitler, believes that the Ark is a magical device—that one can “talk to God” with it.  Indy sees it in a more rational, yet humble perspective, and seeks out the actual meaning of the Ark.  Sallah, Indy’s Muslim friend, takes him to visit the Sufi where we see a Star of David with an All-Seeing Indy Eye, and then a square and compass on the lamp.  When the Name of God is mentioned, a wind blows, like when Moses approaches Sinai.  Is Indy a kind of Moses/deliverer?  In the next film he does deliver slave children from the Thuggee cult. Read more of this post

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Batman: Dark Knight Rises – Esoteric Analysis

July 20, 2012 26 Comments

Note the class warfare element of the poster. Very Ayn Randian.

By: Jay

False Flag shooting event analysis broken here first.

-Spoiler Alert-

Update: The blending of fiction and programming has extended into reality like I predicted, with the New York Police Commissioner (like Commissioner Gordon) saying the villain was “The Joker,” and the NYPD will keep everyone safe from “The Joker” and/or Bane. 

_______________________________

“Bruce Wayne’s grandfather founded Skull & Bones.” -Batman tv show

Batman: The Dark Knight Rises is the final installment in the Christopher Nolan trilogy and, in my opinion, is excellent.  Like the previous two, the concluding film is just as esoteric and filled with predictive programming as the others, yet stands out as preeminent.  This final film is the climax of this version of revelation of the method par excellance.  The entire essence of this film is concerned with how the system itself operates on the deepest levels—levels far beyond what most people are able to comprehend.  Like the rest of Nolan’s films, this one resonates with a particular Jungian ethos, almost to the level of Inception. In fact, Dark Knight Rises is very similar to Nolan’s Inception, and, believe it or not, Jim Henson’s Labyrinth. 

In fact, Nolan even takes Dark Knight to the higher esoteric level of including actors from previous films and roles to play them again in this film.  As I myself and Ross have discussed on Jay’s Analysis, this often turns out to be the case, especially in the case of the top Hollywood figures—figures like Angelina Jolie, Nicole Kidman, and now, it seems, Rachel Weisz.  Among males you can see it with Robert DeNiro Nicolas Cage, Johnny Depp and Tom Cruise.  Granted, some roles are chosen on the basis of having a certain “look” adapted from another role, but as I argue, and as we see in films like Mulholland Drive, roles are often chosen for deeper, occult reasons.  Think about Heath Ledger in Batman: The Dark Knight, and then his role in The Imaginarium of Doctor Parnassus and then his strange death. 

“What?” you say, “Why, that’s wacky.”  That’s because your view of the world isn’t the same as those who understand liturgy and ritual.  The study of liturgics is not some dry, dusty, arcane academic discipline for old religionists to haggle about.  Liturgics to those who know, is the very heartbeat of the universe itself.  It is itself the meaning of things.  Granted, one can learn about metaphysics or science in philosophy or at some university, yet these are merely fields that operate in the realm of bare knowledge.  Knowledge itself is lacking in that it is static and merely one of the divine energeia.

All the bad guys rolled into one.

To combine will and action in harmony with intended purpose in the service of God in symbolic act is meaning, and thus all of life becomes a liturgical ritual.  Most ancient religious traditions have some notion of this.  Thus the standard exposition most “conspiracy theorists” and/or critics give is done at the most basic level of plot, interpretation of meaning, technical achievements, and possible “Illuminist” symbols.  While there is a place for all of that, none of them understand the principle of the film itself, including the actors and their own experiences, the set, the script, etc., all coming together at a certain time, with a certain zeitgeist behind it. A couple good books on this I would recommend would be Mircea Eliade’s The Sacred and the Profane, Abraham Heschel’s The Sabbath, and any basic introduction to liturgy.   Such a radical alteration of perception is only achieved by investigation into, and participation in, liturgy.  Those who have experienced this will understand, and those who haven’t will not.  But regardless, films are themselves a kind of ritual ‘working,’ and whether the 99% of the critics out there acknowledge or know this is irrelevant: it is true.

“Baroness, why do I feel like Cobra Commander is wearing a Bane mask and once again ripping off my style and screwing us over?”

In fact, as I write this, it has just happened that several people have been killed in a Dark Knight Rises premier in Colorado.  Readers of this blog will be aware of Colorado being outlined in other films and in reality as a new, more secretive command base for various elite factions.  Think of the Denver Airport and the Columbine events.  The RT article states:


“Police say that the assailant initially opened a gas canister. Witnesses recounted hearing a hissing sound and smoke, and then the shooting started.

Some say that when they first heard the gunfire, they thought it was some new type of special effect.

“It was chaotic, it was surreal, it was like in a movie,” one of the witnesses told 9news Denver TV station. Read more of this post

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Blade Runner: Indepth Esoteric Analysis

May 15, 2012 5 Comments

German Film Poster

Highest Levels of Illuminism Revealed

By: Jay

In Ridley Scott’s Blade Runner, we are presented with a prescient, dystopian future based on Phillip K. Dick’s novella, “Do Android’s Dream of Electric Sheep?” We will see that this film is full of not only accurate predictions of the future’s general landscape, but is also suffused with occult imagery and deep symbolic themes, as well as raising crucial moral and social issues.  As I will argue, the film operates on several levels: as the immediate story itself, the predictive future level with social critiques, the level of covert operations and mind control, and the deepest level, that of myths, archetypes, and alchemical occult initiatory transformation.  All these levels must be integrated to grasp the full import of the film as Ridley Scott conveys it.  The deepest level is what holds the other levels together in coherence and meaning.

As the film begins, the viewer is shown the 2020 landscape of Los Angeles, and then an eye viewing the landscape.  The eye represents the viewer, and just as I explained in my analysis of Eyes Wide Shut, the viewing of the film itself will constitute an initiatory experience.  The viewer is going to be shown the elite plan, yet the eyes of most will remain shut.  For the masses, there is no ability to make deeper level connections and associations between ideas, symbols and archetypes.  For the viewer who has eyes to see, they are seeing the future itself, as well as the worldview of the ruling class.  In fact, Blade Runner ranks with Eyes Wide Shut as one of the most explicit revelations of the method of the ruling oligarchs.  My interpretation of this is confirmed by the fact that the film doesn’t show us whose eye we see.  In fact, the reflection in the eye shows the scene the viewer just saw of the L.A. cityscape.

It is significant that we are presented with two shots of the eye and then the cut to the Tyrell corporation’s ziggurat/pyramid shape. Immediately we are presented with Egyptian symbology, as well as the notions of the so-called “Illuminati.” The all-seeing eye is flashed in between images of the exalted pyramid in order to initiate the viewer into who is running things.  This is the connection of imagery and meaning that most are not able to make. 

We are given hints as well that perhaps this is an ancient technology of dominance – the “technology of the gods.” In reality, the technology of the gods meme refers to the elite perspective of themselves and their “magickal” worldview: Any sufficiently advanced technology is indistinguishable from magic, as Arthur C. Clarke’s third law says.  The “god” is the one who controls the genetic engineering and artificial intelligence.  The cap of the pyramid is empty because the head of the system is secret.  It’s a shadow corporate government, where the eye floats above the pyramid itself.  The eye is thus above and transcends the externalization of the hierarchy on earth. 

Original DARPA “TIA” logo, echoing the Tyrell Corporation.

When the viewer approaches the pyramid in the open scene, it is engulfed in golden sunlight, conjuring up notions of Ra and Egypt.  The mysteries of Egypt center around the godlike philosopher king (Pharoah), as the material manifestation of Atum Ra, mirroring the spiritual hierarchy on the spiritual plane.  In this dystopian future, the Egyptian scheme is replaced by a corporate system.  The light is enlightening the viewer, taking him along for the ride in the flying car to the top of the pyramid.  In other words, for those that can see, you are about to see what they see. Read more of this post

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The Global Village

May 14, 2012 Leave a comment

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Secrets of Prometheus Revealed

March 31, 2012 1 Comment

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Big Trouble in Little China (1986) – Esoteric Analysis

March 25, 2012 3 Comments

"Have ya paid yer dues?"
"Yeah, the check's in the mail!"

By: Jay

 Big Trouble in Little China is another one of those goofy 80s films that you’re presently assuring yourself has no deeper relevance. You’re smugly saying, “Oh come on Jay, seriously? Another 80s esoteric analysis of something completely silly, like BTILC?” Well, dear reader, let me assure you of your error, and further promise to deliver juicy esoteric tidbits to sate your hunger as you journey on. Consider the opening scene that Fox mandated be added (where Egg Shen recounts the adventures of Jack Burton).  The actor is Jerry Hardin who played “Deep Throat” early on in the X-Files. Interestingly, the ambiguous government agent played here is similar to Deep Throat. What is also interesting is the obelisk on the desk behind him, initiating the viewer into what will be an occult journey.

Egg Shen reveals that the tale ahead will be one of Chinese “sorcery and black magic.” As proof, Egg Shen offers typical 80s blue lightning, of the Force variety. According to IMDB, the Chinese script in the beginning title sequence reads, “Evil spirits make a big scene in little spiritual state,” meaning the film will feature the primeval ancient religious tradition of the higher aeons or gods incarnating themselves in lower, visible, solid forms. This is almost universal in ancient cultures, from Greece and Rome, to China, and lends credence to the view that polytheism and monotheism come from a single religious tradition, as described in Genesis 1-12.

Note also that Egg Shen conceives of the usage of good and evil magic by both sides. Magic, in this view, may be used by the dark side and the light side, in what the dualistic scheme of most world religions views as the ultimate template for all reality. Eastern religions in particular have this dualistic focus, with the binary opposition never being transcended in this life, apart from “enlightenment” that results in some kind of dissolution or absolving into “pure being,” “thusness” or “nirvana,” or some state of being beyond the present world, which is often identified as “evil” and the domain of the fallen spirits and demons. The problem with this type of worldview is that it is self-defeating and contradictory. It claims to seek transcendence of the material and of all binary opposition, but its answer is to seek it in absolute impersonality. Since particularity and form in this world are the sources of “evil,” all particulars must dissolve. The result is monism and collectivism, and the history of eastern cultures demonstrates this enslavement clearly. Read more of this post

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Skynet is Real: Alchemists, Exemplarism and Techgnosis (Update)

March 16, 2012 5 Comments

The sphinx which appeared in Wells' Time Machine. The sphinx is the cherub who guards and controls space and time.

By: Jay

UPDATE Below!

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At the end of H.G. Wells’ Outlines of History, he speaks about the “rise of the machines” and their ability to allay the toils of men, granting them more leisure for scientific products, art, and other harmonious progressive pursuits.  Education will become universal, and a better world will ensue.  Wells was, to be fair, spot on with many of his sci-fi predictions.  One can’t but notice that this article confirms his claims from The Time Machine concerning the devolution into “stunted pig-goblin creatures” to quote Alex Jones, likened to the Morlocks, while the elites will become like the Eloi.

However, the rise of the machines has been wilder than even Wells could have imagined, and will probably not be the universal utopia Outlines imagines, but something closer to the dystopia of The Time Machine.  In fact, we have reached the point where A.I. is nearing the ability of what we see in many science fiction films and novels, yet I agree with the affirmation of Douglas Hofstadter in Godel, Escher, Bach that we will not achieve self-awareness.   Even if this did occur, there is no certain test to determine the existence of “self-awareness,” and the modern scientists who argue to no end against the soul or mind must also take their dogma of the inability to “prove consciousness” and apply it to the golem.  On their basis, you could no more prove one than the other.   So the reductionists who think consciousness is merely matter have no problem identifying humans as “more complex” computers (like Daniel Dennett).  Nevermind that they are all guilty of the naturalistic fallacy.

In effect, this is a Prometheus situation, and is precisely the goal the occultists, alchemists and “scientists” have sought for millennia.  Don’t be fooled by the propaganda of the “new atheists” and sciencey labcoaters: the real secret is that the mysteries are real.  Granted, many of the “Illuminists” are of an atheistic and rationalist bent (and the actual Illuminati were Enlightenment rationalists), but there is a definite esotericism behind the creation of the golem.  Atheism itself can become a form superstition, as I’ve written many times on this blog.  I want to make clear, though, that I’m not anti-technology, nor am I saying I disagree with these goals.  Clearly the Enlightenment thinkers were right–in fact, some of them are central to the mathematics behind all this, as well as to religion and metaphysics and esoterism, such as Leibniz.  Newton, too, was an esotericist, and other examples can be given such as Nikola Tesla and Wolfgang Pauli. Read more of this post

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