Exclusive Report: Geo-politics and Recent Vatican Intrigues

The principal geo-political text under analysis, The Keys of This Blood

The principal geo-political text under analysis, The Keys of This Blood

By: Jay

Update: Rome’s Chief Exorcist Confirms This Analysis

With the recent shakeups in the arena of Catholicism and with several people messaging me asking for my perspective on what was happening, I thought I would give an analytical report based on my research and several years spent in Catholic circles of all flavors: traditionalist, liberal, etc.  Given that history, and given my own proclivities for comparative religion and the underground “scoop” (if you will) as it pertains to these groups, I feel competent to give a report.  I will not be taking a particular theological stance here: my focus will be primarily geo-political, especially since I recently finished Malachi Martin’s lengthy geo-political tome, The Keys of This Blood.  Another reason this is very relevant revolves around my own personal interest in the Cold War the last year.  With an ever-expanding library of such materials, I’ve decided to try to take a decade or so of Catholic research and combine it with recent forays into Sovietism, and condense it into this article.

Malachi Martin is a dubious figure.  Facts on his history can be researched on one’s own, but suffice to say I do view him as a consummate insider into Vatican affairs, particularly as relates to Vatican II, since he was a peritus of Cardinal Bea, a leading “liberal” at the Council, as well as being a personal friend of John XXIII and Paul VI (Martin, that is).  Martin was, at the time of the council, very clearly a theological liberal, positing several things in his early book The Encounter that are manifestly, from a classical Catholic perspective, modernist, as well as what might be considered “process theology.”  So my approach is not going to be flawed by what is often the uneducated stance taken by so many “traditionalists,” who cite Martin as some sort of “prophet” who was working to fight the changes in the institution. On the contrary, a thorough reading of his works (and I’ve read several of them), leads to the opposite conclusion.

Why, then, does Martin’s book matter?  Because it is a geo-political treatise that shows a clear insight into modern intrigues that most analysts overlook, miss, or are completely ignorant of.  In intelligence, media, and research analysis, this area is often garbled because of mass ignorance of Catholic theology and history.  I am not ignorant of Catholic theology and history.  I am also not a complete newbie when it comes to political intrigue and news analysis, so I intend in this article to highlight areas that are utterly missing in mainstream and alternative news perspectives.  Martin’s book matters because it offers predictions in 1990 (when it was written) that have since come true.  This alone shows the book has relevance, regardless of Martin’s dubious motives or questionable actions.

Aside from that, the book is full of spot-on geo-political analyses that match up with other well-known researchers and analysts that have been highlighted here and elsewhere.  For example, readers will notice that I have cited Joel Skousen’s analyses of strategic threats and the continuance of the threat of communism and Sovietism.  The chief thesis in that regard being that international communism did not suddenly disappear with the “fall of the Wall,” but instead took on an underground, covert stance.  It has continued to operate out of Moscow and other centers of Europe with the intention still of destroying the West.  One of those chief enemies in the West, from this perspective, is the Roman Catholic institution.  For worldwide atheistic communism or socialism or secular humanism to have the final victory, the West must be dismantled. Read more of this post

Quantum of Solace – 007′s Alchemy

Animus and anima in "harmony"

Animus and anima in “harmony”

“Everything I write has precedent in truth.” -Ian Flemming

By: Jay

Upon first viewing, I was not initially impressed with Quantum of Solace.  I took it as a mediocre Bond film with scant hints of deeper meanings and clues.  Recently, I watched it again and it changed my mind.  Not only is it chock full of subtle hints and clues, it actually appears to display a kind of alchemical process.  While that might sound far-fetched, allow me to prove my thesis. First, take into account the fact that Ian Flemming would very much have been enamored with just such an idea, given the occultic-secret milieu he inhabited.  In fact, Flemming had direct associations with Aleister Crowley, and based some of his characters such as LeChiffre on him.  Times Online writer Ben Macintyre explains in his review of a Flemming biography:

“Fleming’s villains, like his heroes, are patchworks of different people, names  and traits. Le Chiffre, the Benzedrine-sniffing villain of Casino Royale,  is believed to be based on Aleister Crowley, who gained notoriety in  inter-war Britain as “the Wickedest Man in the World”. Crowley was a  bisexual, sado-masochistic drug addict. A master of Thelemic mysticism (“Do  what thou wilt shall be the whole of the Law”), he specialised in  mountaineering, interpreting the Ouija board, orgies and thrashing his  lovers. The press simultaneously adored and hated him. Crowley made Le  Chiffre seem positively sane.”

Crowley also was an asset for a time for British intelligence.  Thus we see that alchemy coming into play shouldn’t seem strange.  In fact, the original 007, Dr. John Dee, was Queen Elizabth’s “seer” and was himself an alchemist.  As Flemming is known to have said: “Everything I write has precedent in truth.”  As with all Bond films, there is the famous artsy intro, and often they too are a clue to the kind of esoterism we can expect to see in the film.  This one begins with sand and silhouettes, ending with an eye and a “swastika” formation.  While you might be incredulous at first, hang with me, as swastikas pop up several times in this film, and for a reason.  Towards the end we see the leggy swastika morph into an eye (which will be relevant later on).

Leggy swastikas!

Both eyes and swastikas are prevalent in this film, as well as alchemy, so let’s analyze.   As with most modern films, Carl Jung’s archetypes and gnostic proclivities come to the fore.  Originally, the swastika symbol dates back to the most ancient cultures such as India and Mesopotamia as a “sun wheel,” of the so-called Bronze Age, with possibly some relevance to solstices and equinoxes.  Carl Jung had a lifelong fascination with the symbol, and gave it some possible association as an archetypal symbol in the collective unconscious.  So we begin with four women at the four cardinal points, which bring to mind the four elements, as well as images of sand or earth:  all of which pertain to alchemy.  Alchemy is the classical and medieval “art” of transformation, and the end goal of the alchemists was the “Great Work,” whereby all things are brought to perfection and harmony (or solace), under the provident gaze of the “all seeing eye.”  The “eye,” brings to mind the perennial symbology of secret societies as well as intelligence agencies and groups, such as MI5/6 and DARPA, who sit atop our panopticon surveillance society. Read more of this post

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