‘Apocalypse Man’ Pentagram
March 4, 2011 Leave a comment
Accidental pentagram shot due to it being an old building? Perhaps.
Is AMC’s ‘Rubicon’ Telling Us Something?
September 9, 2010 9 Comments
By: Jay
In the opening titles to Rubicon, we have a fascinating sequence of imagery which appears to be the kind of clues that the protagonist, Will Travers might see in his personal analysis. The plot of the show centers around Will’s becoming entangled in a deep conspiracy at the highest levels of government involved in a secret society. As readers of this and previous sites of mine know, predictive programming is something I have delved into, writing extensively on it, and interviewing other key researchers in the field.
Is it possible that Rubicon itself is telling us some things? Let’s look at the opening sequence.
Will discovers the Bohemian Owl in his office is bugged
In the last episode (7), Will discovered that the former head analyst’s desktop owl was bugged. The owl, of course, immediately makes a perceptive viewer think of Bohemian Grove and the so-called “Illuminati.” The network the Illuminists created, of course, uses the symbology of the Owl for its all-pervading gaze, as achieved through the high-tech surveillance state.
And it is precisely a high level conspiracy that Will uncovers in the show. But this sequence is interesting because it cuts from the owl scene to the opening credits, where we see the following imagery.
The all-seeing eye of Lincoln
Rather than showing us the typical all-seeing eye on the dollar bill or the image of Washington, Lincoln is chosen instead. I suspect the reason for this could be that Lincoln was the first to overstep the ‘rubicon’ of the Constitution during the civil war and institute ‘martial law.’ We are, then, hearkening to Caesar’s crossing of the Rubicon to take over as head of the Empire, replacing the republic. Read more of this post
2001: A Space Odyssey – Esoteric Analysis
June 11, 2010 7 Comments
The Stanley Kubrick film, 2001: A Space Odyssey was a visual and technical accomplishment, unparalleled at the time of its making. I recall watching it for the first time about 12 years ago in high school, and all that was apparent to me at the time was the concept of evolution towards an inevitable battle between man and machine. I watched it again several years later, and noticed gnostic elements that James B. Jordan had alluded to. Having watched again recently, much more was apparent to me, and it’s meaning is, in my analysis, Satanic. If you know about Arthur C. Clarke and Kubrick’s other films, it becomes clear why this is so.
But to 2001. In the first scene, we see an astronomical alignment, that, as I will seek to show, is ultimately of astrological import. Note that the sun is seen partially bright, and in the distance. And save yourself a lot of wasted time by avoiding the many youtube videos labelled “Kubrick” and “Illuminati,” which are shoddy, unstudied nonsense.
