How the World Really Works, Pt. 1: The MI6 Model

The present book under anaklysis.

The present book under analysis.

By: Jay

For those who enjoy the subject matter in my analysis, Stephen Dorril’s MI6 is often referenced, recommended and cited as a prime example of real-world intrigue.  It’s functions as a window into how the West has operated geo-politically the last one hundred years, during the two great wars, the Cold War, and into the modern era of the “war on terrorism” so-called.  The book was published in 2002, so it’s also not that out of date, and since its publication, Mark Curtis’ 2010 Secret Affairs has also been published vindicating much of Dorril’s analysis.  Dorril’s book can be seen as a lengthier, massive version of the material in Curtis’ book, with Secret Affairs focusing on the West’s utilization of radical Islam.  Curtis is also a former LSE graduate and Royal Institute research fellow.  Dorril is also a professor and intelligence researcher, as well as a BBC consultant.  The point being, neither of these authors are “conspiratorial” in their approach.  While both might be said to be probably somewhat “left” in their analysis, the presentation in both are attempts at factual analysis.

The purpose of this article?  To shut the mouths of the countless idiots and lazy intellectuals that sit back offering endless criticism and don’t read or know about any of this.  Do I really care? No, but it’s fun to make mincemeat of the pseudo-intellectuals that sit back as armchair philosophers and critics that don’t read jack shit about jack shit, but feel the need to correct me in every possible way.  You see, it’s “bad” to read books on a multitude of subjects – it’s bad to be interested in geo-politics.  What you’re supposed to do is get married, get screwed over by your fat wife, then get screwed by some vulturous corporation after 40 years of servile servitude, and then proceed to your early grave through orderly euthanasia by the stategod, should you be allowed to live that long, after all your cancer-causing vaccines, Soviet-fluoridated water and GMO foods.  I’ll gladly take the gadfly mantle of “failure” by this ridiculous “society.”  When this all converts to the automatic technocratic technocracy, what some boomer thinks in 2012 will be on no one’s mind, other than for a good laugh.  To other detractors and critics who complain that this blog is not written for a mass audience, no it isn’t.  This is supposed to be the “real world” isn’t it?  Grow up and read a book. Read more of this post

World War Z Secrets Leaked

Alex Jones’ Batman/Dark Knight Analysis Based on Mine

Another hat tip, it appears.  Four years ago, Jones had me on, and we discussed Batman Begins, and the first half of his analysis reads like mine, here.

Jay’s Analysis Interviews in One Place

Rand Paul and Alex Jones

Jay’s Analysis Interviews:

Kentucky Republican Senator, Rand Paul

New York Times’ Best Seller and author of Crossfire, the basis for Oliver Stone’s JFK (and co-screenwriter), Jim Marrs

My appearance on the Alex Jones show discussing predictive programming in pop culture, and an earlier call-in

Former Mi5 Spymaster and Whistleblower, Annie Machon

Two-decade intelligence veteran and CIA-trained black ops expert, Lt. Col. Anthony Shaffer

Award-winning Reuters’ federal reserve correspondent, Pedro da Costa

Groundbreaking researchers and authors, Phillip and Paul Collins of ConspiracyArchive.com

The Avengers (1998) – Esoteric Analysis: Weather Warfare!

Note the exploding Big Ben, a standard Hollywood terrorized edifice. Will the twilight language eventually show Big Ben detonated like “V for Vendetta” also shows?

By: Jay

Update!  See below, in regard to “umbrella” (in relation as well to John Steed’s trademark umbrella).

———

It’s been a while since I did a really juicy tinfoil top hat write-up, and the 1998 film The Avengers is a just such a romp, in terms of filmwise conspiriana.  Upon first viewing, I noticed a few esoteric elements, and upon second viewing, I noticed quite a few more.  The film was a financial and critical flop, yet the plot is not as absurd as it seems, prima facia.  The cinematography and art direction are top-notch, but eventually it fizzles into standard late 90s apocalyptic CGI corn syrup eye candy.  I suspect a lot of people failed to understand that the original series and the remake are a parody of the 60s spy genre, and not to be taken too seriously.

However, as will be shown, the plot is anything but a parody, but instead a cloaking of some of the more unbelievable, yet real elements of conspiracy lore.  In fact, the film is notorious for “razzies,” but in all honesty, it isn’t that bad.The intro begins with different weather systems and what appears to be various energy wave patterns “beamed” at the ionosphere.  Then, following these images is a blood-red moon, looking somewhat like Mars.  This makes sense, since Mars is the god of war, and the film will be be about the very real subject of weaponized weather.  The blood moon is also a biblical apocalyptic image, and the moon governs the weather patterns of the tides, clueing the viewer into the tone to come.View the intro. here, with the blood/Mars/moon visible at 2:26.

Ralph Fiennes’ character John Steed is similar to James Bond: he is a cultured gentleman that works for British Intelligence.  In fact, he even hangs out in Boodle’s: the same club that Ian Fleming, the James Bond creator and author, favored.  The head of the Ministry of Defence apears to be a bumbling man named “Mother,” which hearkens to “M,” 007′s famed boss.  “M,” many believe based on Anthony Master’s biography, was at least in part derived from controversial British Agent and occultist, Maxwell Knight.  In The Avengers, “Mother” is a bumbling crippled man, who works as a front for “Father,” pictured as a manly woman operating as the real head of Secret Intelligence.  Judging by the timing of the film, this could possibly have reference to then head of MI5, Stella Rimington.

Rimington’s novels are said to be “insiders” espionage, and certainly this film is a presentation of a host of conspiriana that, in 1998, were only apparent to “insiders.”Uma Thurman’s character Emma Peel has worked secretly for a weather warfare program that has been hijacked by a double that appears to be her.  The head of the project is the eccentric former head of British Intelligence and black ops, Sir August de Wynter, a Scottish lord-type played by Connery, who lives a reclusive existence in his palace (And of course Connery played Bond, adding to the synchro-mystic associations).

“Say Moneypenny, would you like to reverence my obelisk?”

The name of the program is “Prospero,” which naturally calls to mind Shakespeare’s The Tempest, and Connery functions like the character Prospero as a kind of Masonic magician, using  instead his scientific prowess to create what is essentially a HAARP/weather warfare operation.  Keep in mind that although weather warfare was known to some military personnel, and although it had been written about by Zbigniew Brzezinski in 1973 in Between Two Ages, the public was utterly oblivious to such a thing in 1998.  The public is still oblivious to such a notion on the whole, yet much internet conspiracy lore speculates about HAARP and weather warfare.  As you can see, the VLF Group which is the basis for HAARP is undeniably real, and does more or less what de Wynter describes.

Brzezinski writes: Read more of this post

1981 Film “Rollover” Predicts Present Financial Qualms

Strange Sound Phenomena: War of the Worlds PsyOp

Tripod sound the same as the “strange sounds”

By: Jay

I noticed listening to the videos of the strange sounds that have been happening all over the globe, that in many instances they sound just like the Tripods in Spielberg’s version of War of the Worlds.  Since this blog examines the interplay between fiction and reality in film and literature, this connection should not be tossed aside.  And, to those who pay attention, it won’t be.  When we consider the continuum that is the totality of the fictional world (including modern film especially, and the real world (which encompasses) the fictional, we see, as Umberto Eco has explained, a reciprocal relationship between the two.

Since those at the top have been aware of this for a long time, control of fiction and then foisting this into the real world is a tremendous tool of social engineering.  In this instance, when we look at the fictional story, it is an apocalyptic alien story that is chosen because H.G. Wells was a globalist visionary who helped plan the coming New World Order.  In the narrative, the aliens end up killing a good portion of the earth.

Population control is central to the elite plan, so it’s entirely possible that the populace is being told by the standard “hidden in plain sight” approach to look to H.G. Wells and the coming war of the worlds, which, has several levels of meaning.  One one level, it’s a possible third world war, and on another level, the war of the elite against the masses, signifying a coming bio-release or some other mass weapon.

This then suggests a human origin to the sound for the purpose of psychological warfare and the engineering of an attitude of perpetual fear and paranoia.  Psychological warfare is geared toward making the enemy lose in his mind first, before the battle begins or continues.  In the film Hugo, there are all kinds of symbolic and esoteric messages being sent (an analysis is forthcoming), but one interesting element is that it takes place in Revolutionary France, and the focus of the revolutionary impetus converges in the film director.  Read more of this post

Bibliography Recommendations for Bond Master’s Thesis

The First Bond Film, Dr. No

Since many readers of this blog are highly fluent in this area, any recommendations that are missing that are relevant are welcomed (aside from Fleming’s Bond novels themselves).  My thesis is on Fleming, Bond and the relation between semiotics and propaganda in espionage fiction and film. -Jay

Most Relevant Books:

 

The Politics of James Bond: From Fleming’s Novels to the Big Screen  by: Jeremy Black

 

For Your Eyes Only: Ian Fleming and James Bond by: Ben MacIntyre

 

The Bond Code: The Dark World of Ian Fleming and James Bond by: Philip Gardiner

 

Ian Fleming and James Bond: The Cultural Politics of 007 Ed.: Edward Comentale

 

James Bond and Philosophy Eds. South and Held Read more of this post

Mission Impossible III (2006) – Analysis

Ethan Hunt, based on Spymaster E. Howard Hunt

By: Jay

In the wake of the publicity for the upcoming Mission Impossible 4, I thought it would be relevant to do an analysis of Mission Impossible III.  Part III starred Philip Seymour Hoffman as Owen Davian, an international black market arms and weapons dealer.  Spy and espionage films are often the best forms of fiction that function as windows into real plots and intrigues, and Mission Impossible is no different.

In fact, Tom Cruise’s central character, Ethan Hunt, is based on spy mastermind, E. Howard Hunt.   Hunt confessed a few years ago to being involved in the JFK assassination, laying the blame at the door of LBJ.  The “Cigarette-Smoking Man” of X-Files fame also appears to be loosely based on E. Howard Hunt: both are involved in high-level assassination plots, including the assassination of JFK and MLK in the X-Files episode “Musings of a Cigarette Smiking Man.”  Both are known for authoring novels under pseudonyms, too.

In Mission Impossible III, however, Hunt is in his usual role of  heroic super-agent.  Davian has kidnapped one of Hunt’s trainees, and injected her with a detonatable microchip, and upon rescue the chip detonates.  She warns Hunt of the “invisible man” and that the overall plan is an “inside job.”  Where have we heard that terminology before?  The plot then indicts the Vatican in dealing with Davian, and the IMF team has to infiltrate the See to kidnap Davian to keep him from obtaining the “rabbit’s foot,” which is said to be an anti-matter sort of compound, later identified as “anti-God,” which bring to mind the Angels & Demons plot of Dan Brown. Read more of this post

Contagion (2011) – Analysis

Touch ye not, taste ye not, the defiled masses.

By: Jay

I saw Contagion with a theater full of baby-boomers and senior citizens who frequently commented throughout how realistic and scary Contagion was.  I had to snicker at this.  Contagion is like a remake of Outbreak, and Outbreak is awful.  Outbreak is worse than the worst episode of the A-Team, minus the captivating dialogue.  Contagion isn’t much better, aside from the good acting with the all-star lineup.  The entire film is like watching a public service announcement for government vaccines: something they would make you watch in high school.  It’s total fear propaganda – the only thing contagious is the fear spread by the film.  I’m reminded of the “H1N1″ scare of a few years back, where the system told us we were all dead.  And what happened? Nothing. Only the weakest minded, most  oblivious fools still thinks the system loves the public and has its best interest at heart.

Connections are made in the film to SARS, which was an engineered bio release, and as I watched, I immediately thought of V for Vendetta, where a planned bio-release kills thousands of Catholics. Recently, the BBC did a show called Survivors that was well done along the same lines, where a pharmaceutical corporation allows a bio-release to get out, killing 95% of the population.   In fact, the BBC pops up in the film, as well as CNN’s Sanjay Gupta.  This should tell you who’s on the inside in terms of mass media.  I’m reminded as well of The Stand, The Passage, and a host of other Zombie films.  We seem to have an apocalyptic fascination in Amerika.  In fact, the “virus” in Contagion is a pig-bat-bird mutation that kills within 24 hours.   Read more of this post

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