Strange Sound Phenomena: War of the Worlds PsyOp

Tripod sound the same as the “strange sounds”

By: Jay

I noticed listening to the videos of the strange sounds that have been happening all over the globe, that in many instances they sound just like the Tripods in Spielberg’s version of War of the Worlds.  Since this blog examines the interplay between fiction and reality in film and literature, this connection should not be tossed aside.  And, to those who pay attention, it won’t be.  When we consider the continuum that is the totality of the fictional world (including modern film especially, and the real world (which encompasses) the fictional, we see, as Umberto Eco has explained, a reciprocal relationship between the two.

Since those at the top have been aware of this for a long time, control of fiction and then foisting this into the real world is a tremendous tool of social engineering.  In this instance, when we look at the fictional story, it is an apocalyptic alien story that is chosen because H.G. Wells was a globalist visionary who helped plan the coming New World Order.  In the narrative, the aliens end up killing a good portion of the earth.

Population control is central to the elite plan, so it’s entirely possible that the populace is being told by the standard “hidden in plain sight” approach to look to H.G. Wells and the coming war of the worlds, which, has several levels of meaning.  One one level, it’s a possible third world war, and on another level, the war of the elite against the masses, signifying a coming bio-release or some other mass weapon.

This then suggests a human origin to the sound for the purpose of psychological warfare and the engineering of an attitude of perpetual fear and paranoia.  Psychological warfare is geared toward making the enemy lose in his mind first, before the battle begins or continues.  In the film Hugo, there are all kinds of symbolic and esoteric messages being sent (an analysis is forthcoming), but one interesting element is that it takes place in Revolutionary France, and the focus of the revolutionary impetus converges in the film director.  Read more of this post

2001: A Space Odyssey – Esoteric Analysis

By: Jay

The Stanley Kubrick film, 2001: A Space Odyssey was a visual and technical accomplishment, unparalleled at the time of its making. I recall watching it for the first time about 12 years ago in high school, and all that was apparent to me at the time was the concept of evolution towards an inevitable battle between man and machine.  I watched it again several years later, and noticed gnostic elements that James B. Jordan had alluded to. Having watched again recently, much more was apparent to me, and it’s meaning is, in my analysis, Satanic. If you know about Arthur C. Clarke and Kubrick’s other films, it becomes clear why this is so.

But to 2001.  In the first scene, we see an astronomical alignment, that, as I will seek to show, is ultimately of astrological import. Note that the sun is seen partially bright, and in the distance. And save yourself a lot of wasted time by avoiding the many youtube videos labelled “Kubrick” and “Illuminati,” which are shoddy, unstudied nonsense.

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