Captain America 2: Winter Soldier is Real

Film poster.  The film was released on 4-4-14.

Film poster. The film was released on 4-4-14.


By: Jay

The new Captain America film is heavily laced with either revelation of the method programming, or genuine artistic rebellion against the corrupt, globalist establishment.  The plot is one of the most anti-new world order films I’ve seen, in terms of plot.  Granted, Marvel is now owned by Disney is 100% establishment, regurgitating decades of Disney mind control, but apparently that doesn’t prevent a positive message to seep out.

Or, from a darker perspective, was the completely revelatory plot of Captain America 2 purposefully released as another middle finger?  Does the intentional selection of  sentimental old Americana (represented by Captain America) perhaps signal the establishment’s statement they know the truth of the opposition’s side better than the opposition, associating anti-establishment impetus with childish comic book plots?  Let us analyze.  The plot begins with a French “terrorist” organization hijacking a high-tech SHIELD warship called “The Lemurian Star.”  Lemuria is associated with Atlantis in the writings of occultists like Blavatsky and Leadbetter, giving us a clue that the key to interpreting the meaning will be the attempt to restore Atlantis.  This false flag attack is designed to frame SHIELD commander, Nick Fury (Samuel L. Jackson), disabling the Avengers and Captain America.

The state-sponsored terror is actually led by Hydra, a kind of World War 2 analogue for the Bilderberg Group.  Hydra, like Bilderberg, was founded by former Nazis seeking to implement a worldwide technocratic government.   Like the actual Bilderberg Group, it has the same goals and motivations, but what was so surprising about Captain America 2 was the revelation of the AI control/kill grid that is Hydra’s real weapon.   The Avengers discover that the AI kill grid is put in place to utilize all the data that the government surveillance has captured over the last several decades using complex algorithms that predict who the likely threats will be in the future.

Thumbs up to Natasha Romanov

Thumbs up to Natasha Romanov

Predictive algorithmic AI computing is precisely the purpose of the Internet itself, as well as Google and all the other tech monstrosities.  The purpose of the Internet itself was always to gather reconnaissance on the masses.  The AI grid stores basically everything, and based on the vast information stored at the “data vaults” and warehouses around the globe, information is processed for future predictive accuracy.  There is a virtual version of everything happening, with a virtual version of you and me, where tests are run to see the outcome of various scenarios.  The reconnaissance is for the ultimate goal of the AI takeover.  Films like the Terminator series and Oblivion also have this same plot, but rather than art life imitating art, this is art based on actual Pentagon programs.  And just like Skynet is real, so is the Avengers’ version of Skynet, where advanced decapitation and space-based weapons (for removing heads of state) are in place since at least the Star Wars Defense initiative of the late 70s. Continue reading

Lost Highway (1997) – Esoteric Analysis

Film poster.

Film poster.

By: Jay

Lost Highway is a bizarre, psychical film that has mystified most. Reviews and analyses abound with endless questions and speculations that often fails to transcend the most basic levels of “Buddhism” and “dreamscape.” When connected with other David Lynch films, these elements are certainly present, but remaining on this level fail to plumb the depths of more esoteric motifs and symbols that even further integrate the Lynch canon. Indeed, the Lynch canon must be known in entirety before the individual works begin to reveal themselves.

Lost Highway is a convenient starting place for analyzing Lynch, as it initiates what a friend of mine aptly titles the “Hollywood trilogy,” comprising Lost Highway, Mulholland Drive and Inland Empire. In contrast to Wild at Heart or Blue Velvet, the “Hollywood trilogy” focuses on the dark side and corruption of the film industry. Many critics have pointed out these themes in Lynch, but there is a deeper level to the rabbit hole. Lynch films are not merely dreamy zen meditations on Americana and film, but long, dark journeys into the dark side of the unconscious that envelop the viewer in something more ominous than satire or tales of pulp crime. The Lynch viewer is shown a profound, surrealistic revelation of the dark side of something much more ancient, functioning like a shamanic journey into cosmic, primeval mysteries.

The best description for Lost Highway is Neo-noir occult psycho-drama. The telling of the story is non-linear, yet influenced heavily by classic 1940s (date) Noir. Lost Highway is influenced by zen philosophy and Jungian dreamscapes, but as for the deeper occult elements, it’s necessary to understand why the stories are presented in a interlinking duality, as they are in Mulholland Drive. Zen philosophy is concerned with duality and its transcendence, as ultimate principles, as well as with the individual’s particularized psyche, and its relation to the whole of reality. Zen is therefore a quasi-religious philosophy concentrated on ultimate metaphysical principles, known in philosophy historically as the problem of the one and the many. For Lynch, these philosophical questions are not just abstract philosophy, but also relate directly to the psyche in its conscious and unconscious/sleep states.

The opening credit scene is a car racing down an ominous dark highway which will be our first clue to the ultimate meaning, as this is also the final scene. The highway will represent the mental stream of consciousness Fred Madison (Bill Pullman) is experiencing, as the truth of his life and actions begin to manifest in this cyclical dreamworld. Fred is on a journey into madness – into his subconscious, as he suppresses his guilt for murder. The murder of his wife Renee (Patricia Arquette) and two others due to his vengeful jealousy has led to a dissociation and split in his consciousness, as well as his darker side becoming possessed.

Continue reading

Audio Debate: Is Darwinism Philosophical & Scientific?

In this installment, fellow student of philosophy Josh Dale joins me to hash out the question of Darwinism. Is Darwinism scientific and philosophically defensible? I argue in the negative, he argues the pro. Enjoy!

The Matrix (1999) – Esoteric Analysis

Film Poster.

Film Poster.

By: Jay

The Matrix, as I’ve joked many times, is one of those perennial topics in philosophy 101 classes that tends to evoke the most inane and mindless “philosophizing” by the mind-warped morass of modern morlocks.  Yet still, it is a film that is packed with esoteric symbolism, philosophy, “predictive programming,” and all other manner of poppy culture engineering.  In this analysis, we are going to go elucidate themes, motifs and symbols missed by other sites, as we consider one of the system’s principal works of self-flattery.  Interestingly, of all films to analyze in the way sites like mine do, this the most obvious seems forgotten in the haze of the now umpteen hundred Eyes Wide Shut analyses.

The Matrix begins with a computerized image of the Warner Bros. logo, a phone ring, and a conversation between Trinity (Carrie-Anne Moss) and Cypher (Joe Pantoliano) about watching “him” (Neo, Keanu Reeves), and whether the line is secure.  The implication is that the communications are all surveilled (think of how few knew of the mass NSA surveillance that existed at the time the film was released). The viewer sees the screen morph into 1s and 0s and the now-famous green screen code.  From the outset, this is to signify that the audience, as with Eyes Wide Shut, is in the dark.  It is the movie going public that is about to enter into the videodrome “matrix,” as they step into the theater to see what will be a largely CGI Hollywood production.  The audience is not only stepping into the matrix of the videodrome, but as the overall message of the film will convey, lives out lives occupied almost entirely in an engineered world of simulated reality.  In this regard, The Matrix will operate on multiple levels, from the conspiratorial/geo-political, to the psychological, to the metaphysical.

In the first scene, the viewer is shown a motel called “Heart O’ The City,” where bumbling police enter room “303.” Numerology does play into the film, especially since binary code is the very heart of computers.  “303″ is the equivalent of 33, and Trinity is caught trying to dial into the “real world” to escape her inner-matrix watching of Neo.  Alchemy and numerology place a high value on the number 33, being the highest degree of Scottish Rite Masonry.  Manly P. Hall speaks of 33 as highly significant for alchemy because 3×3=9, the number of the emanations from the One, and conversely as the number of initiation.  We can therefore speculate that, given the many examples of masonic and occult symbols and referents in the film, this is very likely the paradigm from which the film was crafted.  The heart is also crucial to alchemy, inasmuch as the heart and intellect must combine to produce balance.  “Trinity” is also a triadic symbol and name, so the usage is not accidental.  Trinity will function as the feminine principle to Neo’s masculine principle, as they join to complete the alchemical mystical union in the trilogy of Matrix films.  Trinity here is not used here in the common Christian sense, it is meant in the sense of a gnostic feminine principle, sophia.

Morpheus mentioned as a terrorist sought by British Intelligence.

Morpheus mentioned as a terrorist sought by British Intelligence.

Agent Smith and his cronies quickly arrive and exemplify jurisdictional control over the local police: In terms of actual politics they represent the shadow intelligence establishment.  The Matrix will operate on one level as an allegory for this intelligence world.  The Agents are controlled by cold, calculating numeric logic, with no empathy or emotion.  Through an “informant” (Cypher), they had intercepted the transmission and are on the case of tracking down this “Neo.”  In the next scene, we see Neo and some interesting images appear on his computer screen in his apartment.  An image of “Morpheus,” said by “British Intelligence to be an international terrorist” on the run from authorities.  Given the hints at 9/11 that are in the film which premiered in 1999, we can surmise this was intentional as another key to unlocking the multiple layers of meaning and “programming.”  Morpheus is shown as wanted by Arab news sites like An-Nahar, giving the impression Morpheus is a bin Laden-esque “terrorist.”  On a deeper, esoteric level, the establishment was weaving into the narrative hints and clues to 9/11, especially with the infamous date on Neo’s file. Continue reading

The Technocracy’s 1984 Predictive Programming

The technocratic Eye of Big Brother watches you.

The technocratic, panopticon Eye of Big Brother watches you.

By: Jay

All the smart dummies, upper class and yuppies go along with and/or join the Outer Party thinking they’ll win, when the Inner Party hates them more than the proles.

As I have documented many times, the coming technocracy is not something to come in the dark, distant future, but a present reality.  Snowden’s supposed “revelations” were nothing more than rehashed information from years ago that James Bamford included in all his books.  Technology is actually 30 years ahead of what is released to the public, and this means the coming AI dominated central system is presently in its reconnaissance stage, gathering intel on the best human opponents through the large online gaming communities.  Through all the tracing and tracking, the supercomputers are storing the data for future-predictive algorithmic war gaming.

The key issue to understand is that the very computer system outlined in Asimov’s Foundation is now a reality.  In Foundation, Hari Seldon figures out how to track mass movements over long periods of time for future predictive programming.   While I do not believe that a computer can become sentient, the transhumanist technocracy being erected is more interested in the implementation of a techno slave grid that will massively depopulate and reorganize society.   This is why the computer games are so crucial: from Halo to World of Warcraft to Black Ops, the information is all being stored and analyzed for the purpose of creating a system in which human error is unable to bring the system down.

The logic of this system is, in a limited sense, highly logical: past elites were unable to maintain control due to human degeneration and mistakes.  The thinking behind a technocracy is that AI programmed bots will not err, and the ruling structure will thus never fail.  The large tech companies have all discussed this openly at large conferences and in white papers, but the ignorant public marches on, building the very system to enslave with their own money.  Money is a symbol of energy, and the erection of the mass surveillance grid is not for the purpose of security or preventing “terrorism.”  The purpose is that which is laid out by science fiction writers, scientists and technocrats, and that plan is massive depopulation and a reboot of society.   However, in a deeper sense, it is not logical: what is the reason, the logos, of building a world system that is self-destructive?  The only answer that is rational is evil.  Those that have bought into this lie, believe the transhumanist falsehood that immortality will be given through technological progress. The assumption of those who go along with this scheme is that they will be given all the life extension and Elysium style gifts of the gods to bring about a spacely Valhalla.

Agent Smith appears in a creepy GE ad for hospitals. This is a dark, inside joke. They didn’t choose Neo – they chose Agent Smith for the ad!

But there are several flaws with this logic.  First, there is no reason to believe that a system that is fundamentally anti-human and anti-life will pay off the dividends it promises.  Those at the top of our system are master con men villains.  Everyone knows from archetypal stories from time immemorial the villain lies.  Villains are known precisely for betraying those they recruit underneath them.  It should therefore be incumbent upon those in the system not to trust their overlords, yet that is inevitably what men do. Continue reading

Dune (1965) Novel – Esoteric Analysis

Lynch film poster.

Lynch film poster.

By: Jay

Dune is an amazing novel: There is a reason it’s the best-selling science fiction series of all time.  Prescient for his time (1965), author Frank Herbert was able to foresee a future in which geo-engineering, rampant technocracy, geo-political intrigue and subterfuge, ecology, elite bloodlines, the occult and religious perennialism all coalesce into a story of unparalleled scope and imagination.  In that regard, it functions as both a fictional account of a far distant galactic future, as well as a predictive presentation of today’s headlines and scientific advancements.  Truly there is no novel to liken it to, especially in the genre of science fiction, relative to its time.  While any top ten sci-fi novels will undoubtedly include Dune among its ranks, I argue it is utterly unique in its inclusion of themes and characters that run completely contrary to Asimov or Orwell.

Most science fiction envisions a future of advanced technocratic control where religion has all but been abolished or taken on odd, irrelevant forms.  Not so here: For Hebert, religion takes a central role in the novel.  As for technocracy, the novel is decidedly in opposition.  We do see humans engaged in the usual court intrigues and conspiratorial machinations that echo Machiavelli’s Discourses and in particular, “Of Conspiracy.”  Yet with Dune, we do not see a utopianism predicated on technological advance and subjugation, but rather a future in which the good guys are those in harmony with nature, seeking to be a symbiotic organism in the larger cycle of ecological and cosmic forces.   Indeed, it is the Padishah Emperor Shaddam IV, working with the CHOAM trading guild and the Bene Gesserit bloodline coven of witches that seek to subjugate Arrakis (Dune), the desert planet of unmanageable wasteland home to the spice mélange, the consciousness-expanding drug that has a hold on the entire known universe.

Continue reading

Response to An Atheist

Evangelical atheist Dawkins stands before a bus illustrating red herring: the cosmological argument is flawed.  So what?

Evangelical atheist Dawkins stands before a bus illustrating red herring: the cosmological argument is flawed. So what?

By: Jay

I started this out as a long comment, but I decided it would make for a good post, as I’ve been seeking an educated atheist to debate for a while now.  Writer Cameron Gaunt is an atheist who has studied philosophy and took issue with some points I made in my last post, “Atheism and Total Vindication.”  Cameron’s comments are in that post and I want to thank him and welcome him to the blog.  From the outset, I would like to clarify things.  I am an adherent of transcendental philosophy and apologetics. Once we’ve established that things like the scientific method aren’t self-justifying, we can move to the question of metaphysics. I specifically make the argument that after this, we can ask the question of meta-logic, meta-ethics, meta-physics and meta-epistemology (if you will), all of which require some unifying principle or means by which the various fields or sciences may be related and harmonized.

In faithfulness to apophatic theology, I believe the only solution to this question lies in the theology of a God that possesses all the omnis and is immanent as well as transcendent. If that is the case, we can see how all the particulars of our experience can be related and unified with the universals of our experience. So, for example, if we ask the question of induction – how do we believe the future will be like the past?, we can posit a rational justification for that, which is divine Providence, and because God is an infinitely Personal God (and not just an abstract force or impersonal principle), history and all reality, ultimately, are inherently rational and meaningful.

You state as follows:

“As an atheist with a scientifically informed worldview, I understand the epistemic limits of empiricism and logical positivism. While these philosophies are flawed in the pursuit of “ultimate truth”, I consider the concept of “ultimate truth” to be unattainable/made up and thus value post-positivism as a “good enough” metric.”

You have definitely seen through what a lot of atheists I’ve discussed with have not. I applaud you for admitting this. My philosophy of science professor was very good on this point, and was himself a hardcore atheist/materialist. On a personal level, I welcome anyone who is willing to look objectively at the issues. The ad hominems were more tongue in cheek than anything. I mock quite a bit of religion and “Christianity” here, as well. Continue reading

JaysAnalysis – James Kelley Returns “The Zombie Mass”

Author and historian James Kelley returns to JaysAnalysis to discuss his groundbreaking research on the history of the Frankish empire and its relationship to various developments in western theology and esotericism.  James posits a specific, revolutionary theory about unique Latin developments as well as the famed “zombie mass” of the Middle Ages, leading up to the modern global “new world order” political alignments we see today.  A fascinating, well-researched analysis you don’t want to miss!

James’ blog and articles on the Frankish Civilization and the Zombie Mass can be found here.

Download the mp3 here

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James Kelley is the author of Anatomyzing Divinity and Doxaphysics.

Dooms Chapel Horror – Second Interview

The Dooms Chapel Horror director John Holt and producer Chris Bowers return to JaysAnalysis to discuss more details of the upcoming film.  We joke about directors and some of the funny and creepy experiences on set.

The Dooms Chapel Kickstarter page with the film trailer and info on donating to updating their equipment can be found here.

The Facebook Fan Page can be found here.

Dooms Chapel draws an entire town of extras, including yours truly somewhere in the mix...

Dooms Chapel draws an entire town of extras, including yours truly somewhere in the mix…

Check out Jay’s Analysis’ other interviews here.