I noticed listening to the videos of the strange sounds that have been happening all over the globe, that in many instances they sound just like the Tripods in Spielberg’s version of War of the Worlds. Since this blog examines the interplay between fiction and reality in film and literature, this connection should not be tossed aside. And, to those who pay attention, it won’t be. When we consider the continuum that is the totality of the fictional world (including modern film especially, and the real world (which encompasses) the fictional, we see, as Umberto Eco has explained, a reciprocal relationship between the two.
Since those at the top have been aware of this for a long time, control of fiction and then foisting this into the real world is a tremendous tool of social engineering. In this instance, when we look at the fictional story, it is an apocalyptic alien story that is chosen because H.G. Wells was a globalist visionary who helped plan the coming New World Order. In the narrative, the aliens end up killing a good portion of the earth.
Population control is central to the elite plan, so it’s entirely possible that the populace is being told by the standard “hidden in plain sight” approach to look to H.G. Wells and the coming war of the worlds, which, has several levels of meaning. One one level, it’s a possible third world war, and on another level, the war of the elite against the masses, signifying a coming bio-release or some other mass weapon.
This then suggests a human origin to the sound for the purpose of psychological warfare and the engineering of an attitude of perpetual fear and paranoia. Psychological warfare is geared toward making the enemy lose in his mind first, before the battle begins or continues. In the film Hugo, there are all kinds of symbolic and esoteric messages being sent (an analysis is forthcoming), but one interesting element is that it takes place in Revolutionary France, and the focus of the revolutionary impetus converges in the film director.
Kingsley’s character plays a director who decides again to love the art of film that he himself pioneered. The revolutionary element recalls the Illuminati, and the Eiffel tower figures prominently in the film, as well as the revolutionary flag. For the globalist, the overturning of the present order, and the rise of technocracy means the final revolution, and the final revolution includes a great culling–a great depopulation. Could this be the meaning of the strange sounds, as well as the added smoke and mirror effect of it being 2012 (which is another psy op)?
Keep in mind that in Hugo, the director is presented as a great wizard. He is a the new and true wizard, at the top of the pyramid, in that narrative. In the perspective of the power elite, the real world is like a film: the masses are actors, and the nations pieces in a grand chessboard. Psychological warfare can then adopt the methods and usage of the mass media and film industry complex to pull a complete mindfuck on the public. Some are speculating that this has to do with ‘Project Bluebeam’ and a staged alien invasion, using holograms. Whether that is related to this incident or not (and it is basically a real plan, as this shows), the theatrics point, in my estimation, to a human origin. Remember that the Orson Welles staged alien invasion used War of the Worlds! And that incident, many researchers claim, was itself a social engineering test. The fake alien propaganda story goes back to precisely the H.G. Wells era, and who but another film director, the modern wizard, to carry on the other Welles’ tradition? I vote for a human psy op, and hoax.
In the immortal words of Merrill from Signs….
“Morgan, this crop stuff is just about a bunch of nerds who never had a girlfriend their whole lives. They’re like thirty now. They make up secret codes and analyze Greek mythology and make secret societies where other guys who never had girlfriends can join in. They do stupid crap like this to feel special. It’s a scam. Nerds were doin’ it twenty-five years ago and new nerds are doing it again.”